LEADER 03921nam  2200709Ia 450 
001 9910451701203321
005 20200520144314.0
010   $a1-282-26566-0
010   $a9786612265662
010   $a94-012-0502-7
010   $a1-4356-0494-6
035   $a(CKB)1000000000479001
035   $a(EBL)556814
035   $a(OCoLC)666985093
035   $a(SSID)ssj0000145705
035   $a(PQKBManifestationID)12019088
035   $a(PQKBTitleCode)TC0000145705
035   $a(PQKBWorkID)10157308
035   $a(PQKB)11670390
035   $a(MiAaPQ)EBC556814
035   $a(OCoLC)173252146
035   $a(nllekb)BRILL9789401205023
035   $a(Au-PeEL)EBL556814
035   $a(CaPaEBR)ebr10380457
035   $a(CaONFJC)MIL226566
035   $a(EXLCZ)991000000000479001
100   $a20070921d2007      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aEmbodied texts$b[electronic resource] $esymbolist playwright-dancer collaborations /$fMary Fleischer
210   $aAmsterdam $cRodopi$d2007
215   $a1 online resource (369 p.)
225 1 $aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft,$x0929-6999 ;$v113
300   $aDescription based upon print version of record.
311   $a90-420-2285-X 
320   $aIncludes bibliographical references and index.
327   $aPreliminary Material -- Theatre and Dance?A Symbolist Dialogue -- Gabriele D?Annunzio and Ida Rubinstein -- Hugo von Hofmannsthal and Grete Wiesenthal -- W. B. Yeats and Michio Ito -- W. B. Yeats and Ninette de Valois -- Paul Claudel, Jean Börlin and the Ballets Suédois -- Dance-Theatre as a Collaborative Genre -- Bibliography -- Index.
330   $aEmbodied Texts: Symbolist Playwright-Dancer Collaborations explores the dynamic relationship between Symbolist theatre and early modern dance across Europe from the 1890's through the 1930's. Gabriele D?Annunzio?s projects with Ida Rubinstein; Hugo von Hofmanns thal?s pantomimes for Grete Wiesenthal; W. B. Yeats?s work with Michio Ito and Ninette de Valois; and Paul Claudel?s collaborations with Jean Börlin and the Ballets Suédois are studied in depth to shed new light on an evolving dance-theatre form within Symbolist culture. Buoyed by the era?s heightened interest in the expressive qualities of the body, these playwrights were highly invested in the authority of language, yet were drawn to the capacity of dance to evoke spiritual or psychological states which words could not completely capture. In its belief of fundamental correspondences among the arts, Symbolism encouraged experimentation across disciplines, and this study traces interconnections among many of its significant figures including Max Reinhardt, Claude Debussy, Gertrud Eysoldt, Edward Gordon Craig, Bronislava Nijinksa, Isadora Duncan, Jaques Dalcroze, Darius Milhaud, Vsevolod Meyerhold, Mariano Fortuny, Terence Gray, George Antheil, Eleonora Duse, and Michel Fokine.
410  0$aInternationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ;$v113.
606   $aLiterature, Modern$y20th century$xHistory and criticism
606   $aModern dance$xHistory
606   $aSymbolism (Art movement)$xInfluence
606   $aSymbolism (Literary movement)
606   $aSymbolism in literature
608   $aElectronic books.
615  0$aLiterature, Modern$xHistory and criticism.
615  0$aModern dance$xHistory.
615  0$aSymbolism (Art movement)$xInfluence.
615  0$aSymbolism (Literary movement)
615  0$aSymbolism in literature.
676   $a792.09409041
700   $aFleischer$b Mary$0961206
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910451701203321
996   $aEmbodied texts$92179128
997   $aUNINA