LEADER 00771nam0-22002651i-450 001 990006804850403321 005 20200323165922.0 100 $a20001010d1994----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aIntroduzione alla demografia storica$fLorenzo Del Panta, Rosella Rettaroli 210 $aRoma-Bari$cLaterza$d1994 215 $aXII, 324 p.$d21 cm 225 1 $aManuali Laterza$v55 676 $a304.6 700 1$aDel Panta,$bLorenzo$f<1944- >$0103943 702 1$aRettaroli,$bRosella 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006804850403321 952 $aCOLLEZ. 1295 (55)$b24745$ffspbc 959 $aFSPBC 996 $aIntroduzione alla demografia storica$9437388 997 $aUNINA LEADER 03215nam 22006374a 450 001 9910451632503321 005 20200520144314.0 010 $a0-8166-9695-0 035 $a(CKB)1000000000346701 035 $a(EBL)310741 035 $a(OCoLC)476096018 035 $a(SSID)ssj0000195806 035 $a(PQKBManifestationID)11937295 035 $a(PQKBTitleCode)TC0000195806 035 $a(PQKBWorkID)10131696 035 $a(PQKB)10884709 035 $a(MiAaPQ)EBC310741 035 $a(OCoLC)85864273 035 $a(MdBmJHUP)muse39367 035 $a(Au-PeEL)EBL310741 035 $a(CaPaEBR)ebr10159614 035 $a(CaONFJC)MIL526046 035 $a(EXLCZ)991000000000346701 100 $a20051207d2006 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMaking easy listening$b[electronic resource] $ematerial culture and postwar American recording /$fTim J. Anderson 210 $aMinneapolis $cUniversity of Minnesota Press$dc2006 215 $a1 online resource (282 p.) 225 1 $aCommerce and mass culture series 300 $aDescription based upon print version of record. 311 $a0-8166-4518-3 311 $a0-8166-4517-5 320 $aIncludes bibliographical references (p. 217-231) and index. 327 $aIntroduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts). 330 $aIn Making Easy Listening, Tim J. Anderson analyzes the period between the Second World War and the mid-1960s that saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Anderson presents a social and cultural history of musical production that aims to understand how recording technologies influence musicians', as well as listeners', lives. 410 0$aCommerce and mass culture series. 606 $aSound recording industry$zUnited States$xHistory 606 $aSound recordings$xProduction and direction$zUnited States 606 $aPopular culture$zUnited States$xHistory$y20th century 608 $aElectronic books. 615 0$aSound recording industry$xHistory. 615 0$aSound recordings$xProduction and direction 615 0$aPopular culture$xHistory 676 $a781.490973 700 $aAnderson$b Tim J$0886883 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451632503321 996 $aMaking easy listening$91980565 997 $aUNINA