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100   $a20061012d2007      ub             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aTime frames$b[electronic resource] $eJapanese cinema and the unfolding of history /$fScott Nygren
210   $aMinneapolis $cUniversity of Minnesota Press$dc2007
215   $a1 online resource (321 p.)
300   $aFilmography: p.
311   $a0-8166-4708-9 
311   $a0-8166-4707-0 
320   $aIncludes bibliographical references and index.
327   $aContents; Preface; Acknowledgments; Introduction; 1 Thresholds; 2 Dislocations; 3 Incisions; 4 Kyoto/Venezia; 5 Reconsidering Humanism; 6 International Modernism; 7 Postmodern Networks; EPILOGUE: Next; APPENDIX: Japanese Networked History: A Metachronology of Culturally Significant Events in Relation to Film; Notes; Bibliography; Filmography; Distribution Information; Index
330   $aTime Frames explores how Japanese film criticism and history has been written before and after Rashomon. Scott Nygren looks at the emergence of video art and anime, highlighting the creative exchange among North American, European, and Asian media. He places Japanese film at the center of this discourse, and, ultimately, reveals its global role as a cultural medium.
606   $aMotion pictures$zJapan$xHistory
606   $aDrama
608   $aElectronic books.
615  0$aMotion pictures$xHistory.
615  0$aDrama.
676   $a791.430952
700   $aNygren$b Scott$01027333
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910451623803321
996   $aTime frames$92442696
997   $aUNINA