LEADER 02343nam 2200421 450 001 9910494623503321 005 20191205144626.0 010 $a1-78330-425-1 035 $a(CKB)4100000009743020 035 $a(UkCbUP)CR9781783304257 035 $a(MiAaPQ)EBC6031674 035 $a(EXLCZ)994100000009743020 100 $a20200314d2019 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCopyright $einterpreting the law for libraries, archives and information services /$fGraham P. Cornish 205 $aRevised sixth edition. 210 1$aLondon :$cFacet Publishing,$d[2019] 210 4$d©2019 215 $a1 online resource (xviii, 201 pages) $cdigital, PDF file(s) 300 $aIncludes index. 311 $a1-78330-423-5 330 $aCopyright' is the standard work in its field and is indispensable for all librarians and information professionals and who are looking for solutions to their copyright problems. The book explains the provisions of the UK Copyright Act and supporting legislation in quick and easy question-and-answer form. This revised edition is fully updated to take into account of all the changes that have come into force since the 6th edition was published in 2015. All types of material that may attract copyright are considered, including: literary, dramatic and musical works artistic works sound recordings films and video broadcast databases computer programs and websites. The text is amplified by the use of practical examples to illustrate complex points and complemented by a detailed index that enables the enquirer to pinpoint topics and proposed action quickly and accurately. The appendices provide helpful lists of addresses and selected further sources of information. This book will be invaluable for all librarians, information professionals and students who are looking for solutions to their copyright problems. 606 $aCopyright$zGreat Britain$vMiscellanea 608 $aElectronic books. 615 0$aCopyright 676 $a346.410482 700 $aCornish$b G. P.$01029474 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910494623503321 996 $aCopyright$92445925 997 $aUNINA LEADER 04030oam 2200781I 450 001 9910451595303321 005 20200520144314.0 010 $a1-280-66119-4 010 $a9786613638120 010 $a1-136-45306-7 010 $a0-203-12590-8 024 7 $a10.4324/9780203125908 035 $a(CKB)2550000000100375 035 $a(EBL)957490 035 $a(OCoLC)798533209 035 $a(SSID)ssj0000677475 035 $a(PQKBManifestationID)11469825 035 $a(PQKBTitleCode)TC0000677475 035 $a(PQKBWorkID)10694716 035 $a(PQKB)11067861 035 $a(MiAaPQ)EBC957490 035 $a(Au-PeEL)EBL957490 035 $a(CaPaEBR)ebr10558561 035 $a(CaONFJC)MIL363812 035 $a(OCoLC)793947617 035 $a(EXLCZ)992550000000100375 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aEthics and images of pain /$fedited by AsbjØrn GrØnstad and Henrik Gustafsson 210 1$aNew York, N.Y. :$cRoutledge,$d2012. 215 $a1 online resource (263 p.) 225 1 $aRoutledge advances in art and visual studies ;$v1 300 $aDescription based upon print version of record. 311 $a1-138-24330-2 311 $a0-415-89382-8 320 $aIncludes bibliographical references and index. 327 $aCover; Ethics and Images of Pain; Copyright; Contents; List of Figures; Acknowledgements; Preface; Introduction; PART I: From Voyeurism to Visual Politics; 1. Do Not Look at Y/Our Own Peril: Voyeurism as Ethical Necessity, or To See as a Child Again; 2. Associates in Crime and Guilt; 3. Painful Photographs: From the Ethics of Spectatorship to Visual Politics; PART II: Looking In, Looking Away; 4. The Violence of the Documentary Image: Errol Morris's Standard Operating Procedure 327 $a5. Visual Irruptions, Mediated Suffering, and the Robert Dziekanski Tragedy: An Inquiry into the Effi cacy of the Image6. Tuning Out, Turning In, and Walking Off : The Film Spectator in Pain; PART III: Performances; 7. Imaging Pain; 8. The Unsettling Moment: On Mathilde ter Heijne's Suicide Trilogy; 9. Gulag Follies; PART IV: Mimetic and Mnemonic Frames; 10. Imag(in)ing Painful Pasts: Mimetic and Poetic Style in War Films; 11. The Sanctifi ed Fallen: The War Film as Witness; 12. Medical Horror: Visual Documents From the History of Lobotomy; Contributers; Index 330 $aFew phenomena are as formative of our experience of the visual world as displays of suffering. But what does it mean to have an ethical experience of disturbing or traumatizing images? What kind of ethical proposition does an image of pain mobilize? How may the spectator learn from and make use of the painful image as a source of ethical reflection? Engaging with a wide range of visual media--from painting, theatre, and sculpture, to photography, film, and video--this interdisciplinary collection of essays by leading and emerging scholars of visual culture offers a reappraisal of the increasin 410 0$aRoutledge advances in art and visual studies ;$v1. 606 $aArt$xMoral and ethical aspects 606 $aMass media$xMoral and ethical aspects 606 $aPain in art 606 $aPain in mass media 606 $aPain in the performing arts 606 $aPerforming arts$xMoral and ethical aspects 608 $aElectronic books. 615 0$aArt$xMoral and ethical aspects. 615 0$aMass media$xMoral and ethical aspects. 615 0$aPain in art. 615 0$aPain in mass media. 615 0$aPain in the performing arts. 615 0$aPerforming arts$xMoral and ethical aspects. 676 $a700.453 676 $a700/.453 676 $a701 701 $aGrØnstad$b AsbjØrn$0800803 701 $aGustafsson$b Henrik$0868088 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910451595303321 996 $aEthics and images of pain$91937958 997 $aUNINA