LEADER 04941nam 2200625Ia 450 001 9910451588603321 005 20200520144314.0 010 $a94-012-0431-4 010 $a1-4294-8120-X 024 7 $a10.1163/9789401204316 035 $a(CKB)1000000000475347 035 $a(EBL)556804 035 $a(OCoLC)166143023 035 $a(SSID)ssj0000096964 035 $a(PQKBManifestationID)11990448 035 $a(PQKBTitleCode)TC0000096964 035 $a(PQKBWorkID)10083085 035 $a(PQKB)10047671 035 $a(MiAaPQ)EBC556804 035 $a(OCoLC)166143023$z(OCoLC)712988648$z(OCoLC)764536357$z(OCoLC)961486177$z(OCoLC)962561036$z(OCoLC)966210634$z(OCoLC)988481083$z(OCoLC)991913848 035 $a(nllekb)BRILL9789401204316 035 $a(Au-PeEL)EBL556804 035 $a(CaPaEBR)ebr10380438 035 $a(EXLCZ)991000000000475347 100 $a20070511d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aActs and texts$b[electronic resource] $eperformance and ritual in the Middle Ages and the Renaissance /$fedited by Laurie Postlewate and Wim Hu?sken 210 $aAmsterdam ;$aNew York, NY $cRodopi$d2007 215 $a1 online resource (362 p.) 225 1 $aLudus,$x1385-0393 ;$v8 300 $aDescription based upon print version of record. 311 $a90-420-2191-8 320 $aIncludes bibliographical references. 327 $tPreliminary Material -- $tIntroduction /$rLaurie Postlewate -- $tThe Preacher and His Audience: Dominican Conceptions of the Self in the Thirteenth Century /$rDallas G. Denery -- $tPublic-Access Patronage: Book-Presentation from the Crowd at a Royal Procession /$rJoyce Coleman -- $tEternal Rome and Cola di Rienzo?s Show of Power /$rAmy Schwarz -- $tDiversity in Unity: Elizabeth?s Coronation Procession /$rL. Caitlin Jorgensen -- $tOn Cushions and Chairs: The Ritual Construction of Authority in New Spain /$rAlejandro Cañeque -- $tTalking Pictures: Performance on the Page /$rAdrian P. Tudor -- $tMedieval Literary Performance: Gautier de Coinci?s Guide for the Perplexed /$rKathryn A. Duys -- $tPrivatizing the Conte du Graal: How Renaissance Printers Reformatted Chrétien?s Public Text for Private Reading /$rPaul Creamer -- $tA Contract for an Early Festival Book: Sarrasin?s Le Roman du Hem (1278) /$rNancy Freeman Regalado -- $tDeath Slips Onto the Renaissance Stage: Morris Dancing, Mimed Moors, and Nascent Rituals in Fletcher and Shakespeare /$rWilliam E. Engel -- $tExperimenting with the Performance of Medieval Narrative /$rEvelyn Birge Vitz and Linda Marie Zaerr -- $tYseut?s Legacy: Women Writers and Performers in the Medieval French Romance Ysaÿe le Triste /$rMarilyn Lawrence -- $t?A Bawdy Lecture unto Ladies?: Music Speeches at Early-Modern Oxford /$rFelicity Henderson -- $tList of Illustrations -- $tContributors. 330 $aFor the Middle Ages and Renaissance, meaning and power were created and propagated through public performance. Processions, coronations, speeches, trials, and executions are all types of public performance that were both acts and texts: acts that originated in the texts that gave them their ideological grounding; texts that bring to us today a trace of their actual performance. Literature, as well, was for the pre-modern public a type of performance: throughout the medieval and early modern periods we see a constant tension and negotiation between the oral/aural delivery of the literary work and the eventual silent/read reception of its written text. The current volume of essays examines the plurality of forms and meanings given to performance in the Middle Ages and Renaissance through discussion of the essential performance/text relationship. The authors of the essays represent a variety of scholarly disciplines and subject matter: from the ?performed? life of the Dominican preacher, to coronation processions, to book presentations; from satirical music speeches, to the rendering of widow portraits, to the performance of romance and pious narrative. Diverse in their objects of study, the essays in this volume all examine the links between the actual events of public performance and the textual origins and subsequent representation of those performances. 410 0$aLudus ;$v8. 606 $aLiterature, Medieval$xHistory and criticism 606 $aLiterature, Modern$y15th and 16th centuries$xHistory and criticism 608 $aElectronic books. 615 0$aLiterature, Medieval$xHistory and criticism. 615 0$aLiterature, Modern$xHistory and criticism. 676 $a809.933823314 701 $aHu?sken$b Wim N. M$0865515 701 $aPostlewate$b Laurie$f1957-$0865516 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451588603321 996 $aActs and texts$91931633 997 $aUNINA