LEADER 03164nam  2200673 a 450 
001 9910451569503321
005 20200520144314.0
010   $a0-8131-3491-9
010   $a1-283-23306-1
010   $a9786613233066
010   $a0-8131-7215-2
035   $a(CKB)1000000000475374
035   $a(EBL)792215
035   $a(OCoLC)166261792
035   $a(SSID)ssj0000158227
035   $a(PQKBManifestationID)11162922
035   $a(PQKBTitleCode)TC0000158227
035   $a(PQKBWorkID)10147606
035   $a(PQKB)10560336
035   $a(StDuBDS)EDZ0000038483
035   $a(MiAaPQ)EBC792215
035   $a(MdBmJHUP)muse13809
035   $a(Au-PeEL)EBL792215
035   $a(CaPaEBR)ebr10495350
035   $a(CaONFJC)MIL323306
035   $a(EXLCZ)991000000000475374
100   $a20061129d2007      uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aFreedom to offend$b[electronic resource] $ehow New York remade movie culture /$fRaymond J. Haberski, Jr
210   $aLexington $cUniversity Press of Kentucky$dc2007
215   $a1 online resource (279 p.)
300   $aDescription based upon print version of record.
311   $a0-8131-3841-8 
311   $a0-8131-2429-8 
320   $aIncludes bibliographical references (p. 251-258) and index.
327   $aFront cover; Copyright; Contents; Acknowledgments; Introduction; 1. The Web of Control; 2. The Miracle and Bosley Crowther; 3. Baby Doll and Commnweal Criticism; 4. Amos Vogel and Confrontational Cinema; 5. The ""Flaming"" Freedom of Jonas Mekas; 6. The End of New York Movie Culture; 7. Did Bonnie and Clyde Kill Bosley Crowther?; 8. The Failure of Porno Chic; Conclusion: The Irrelevance of Controversial Culture; Notes; Bibliography; Index
330   $aIn the postwar era, producers and consumers of cinema began to demand more freedom to make and view movies that accurately portrayed the complexities of real life. In Freedom to Offend, Raymond J. Haberski Jr. details the battles, fought largely in New York City, to secure ""freedom of the screen"" for film audiences. In the libertine 1970's, arguments supporting the right to see challenging films were twisted to provide intellectual cover for movies created solely to lure viewers with outrageous or titillating material. Haberski exposes the unquestioning defense of free expression as an...
606   $aMotion pictures$xCensorship$zNew York (State)$zNew York$xHistory
606   $aFilm criticism$zNew York (State)$zNew York$xHistory
606   $aMotion pictures$zNew York (State)$zNew York$xHistory
606   $aCulture in motion pictures
608   $aElectronic books.
615  0$aMotion pictures$xCensorship$xHistory.
615  0$aFilm criticism$xHistory.
615  0$aMotion pictures$xHistory.
615  0$aCulture in motion pictures.
676   $a363.3109747/1
700   $aHaberski$b Raymond J.$f1968-$01046353
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910451569503321
996   $aFreedom to offend$92473191
997   $aUNINA