LEADER 01017nam0-22003731i-450- 001 990004005130403321 005 20040311124614.0 010 $a0-8218-3307-3 035 $a000400513 035 $aFED01000400513 035 $a(Aleph)000400513FED01 035 $a000400513 100 $a20040311d2003----km-y0itay50------ba 101 1 $aeng 102 $aUS 105 $aa---a---001yy 200 1 $a<>scrapbook of complex curve theory$fC. H. Clemens 210 $aProvidence$cAmerican Mathematical Society$dc2003 215 $aix, 188 p.$d24 cm 225 1 $aGraduate studies in mathematics$v55 610 0 $aCurve algebriche 610 0 $aFunzioni theta 676 $a516.3$v21 700 1$aClemens,$bC. Herbert$060192 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990004005130403321 952 $aC-68-(55-2ED$b20203$fMA1 959 $aMA1 962 $a14-01 962 $a30FXX 962 $a32G15 996 $aScrapbook of complex curve theory$9472065 997 $aUNINA LEADER 03545nam 2200817 a 450 001 9910451560103321 005 20210616215404.0 010 $a1-283-89925-6 010 $a0-8122-0673-8 010 $a0-585-14712-4 024 7 $a10.9783/9780812206739 035 $a(CKB)1000000000442062 035 $a(OCoLC)794702286 035 $a(CaPaEBR)ebrary10642148 035 $a(SSID)ssj0000164649 035 $a(PQKBManifestationID)11153472 035 $a(PQKBTitleCode)TC0000164649 035 $a(PQKBWorkID)10124346 035 $a(PQKB)11173167 035 $a(MiAaPQ)EBC3441813 035 $a(MdBmJHUP)muse17905 035 $a(DE-B1597)449295 035 $a(OCoLC)979576883 035 $a(DE-B1597)9780812206739 035 $a(Au-PeEL)EBL3441813 035 $a(CaPaEBR)ebr10642148 035 $a(CaONFJC)MIL421175 035 $a(OCoLC)932312688 035 $a(EXLCZ)991000000000442062 100 $a19940802d1994 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGothic bodies$b[electronic resource] $ethe politics of pain in romantic fiction /$fSteven Bruhm 210 $aPhiladelphia $cUniversity of Pennsylvania Press$dc1994 215 $a1 online resource (207 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-8122-3291-7 320 $aIncludes bibliographical references (p. [165]-173) and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Pain, Politics, and Romantic Sensibility --$t2. Imagining Pain --$t3. Spectacular Pain: Politics and the Romantic Theatre --$tIntermezzo --$t4. The Epistemology of the Tortured Body --$t5. Aesthetics and Anesthetics at the Revolution --$tConclusion --$tNotes --$tWorks Cited --$tIndex 330 $aAn intriguing scholarly investigation, not so much of the ways the late eighteenth and early nineteenth centuries articulated pain, but of the ways in which pain itself articulated the late eighteenth-century experience. Through analysis of novels, plays, and poems, the author explores the transition from sensibility as a sense of "selflessness" to Romanticism, which puts the self in the foreground as the mediating consciousness. His tightly focused discussion sets a starting point for further critical investigation of the subject. 606 $aEnglish literature$y18th century$xHistory and criticism 606 $aGothic revival (Literature)$zGreat Britain 606 $aEnglish literature$y19th century$xHistory and criticism 606 $aHorror tales, English$xHistory and criticism 606 $aPolitics and literature$zGreat Britain 606 $aMind and body in literature 606 $aHuman body in literature 606 $aRomanticism$zGreat Britain 606 $aPain in literature 608 $aElectronic books. 615 0$aEnglish literature$xHistory and criticism. 615 0$aGothic revival (Literature) 615 0$aEnglish literature$xHistory and criticism. 615 0$aHorror tales, English$xHistory and criticism. 615 0$aPolitics and literature 615 0$aMind and body in literature. 615 0$aHuman body in literature. 615 0$aRomanticism 615 0$aPain in literature. 676 $a823/.087290936 700 $aBruhm$b Steven$0986764 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451560103321 996 $aGothic bodies$92475308 997 $aUNINA