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100   $a20180706d1997      ub             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aFrom acting to performance $eessays in modernism and postmodernism /$fPhilip Auslander
210  1$aLondon ;$aNew York :$cRoutledge,$d1997.
215   $a1 online resource (184 p.)
300   $aDescription based upon print version of record.
311   $a0-415-15787-0 
311   $a0-415-15786-2 
320   $aIncludes bibliographical references (p. [154]-162) and indexes.
327   $aBook Cover; Title; Contents; Acknowledgments; Introduction; From acting to performance; ~Holy theatre~ and catharsis; ~Just be your self~: logocentrism and difference in performance theory; Task and vision: Willem Dafoe in LSD; Postmodernism and performance; Presence and theatricality in the discourse of performance and the visual arts; Toward a concept of the political in postmodern theatre; Embodiment: the politics of postmodern dance; Postmodern body politics; Vito Acconci and the politics of the body in postmodern performance; Boal, Blau, Brecht: the body
327   $a~Brought to you by Fem-Rage~: stand-up comedy and the politics of gender The surgical self: body alteration and identity; Notes; Bibliography; Name Index; Subject Index
330   $aThis first collection of essays by performance theorist and critic Philip Auslander surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960's to the ironic postmodernism of the 1980's
606   $aPerformance art
606   $aArts and society$xHistory$y20th century
606   $aPostmodernism
606   $aModernism (Art)
608   $aElectronic books.
615  0$aPerformance art.
615  0$aArts and society$xHistory
615  0$aPostmodernism.
615  0$aModernism (Art)
676   $a792.028
700   $aAuslander$b Philip$f1956-,$0999161
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910451460103321
996   $aFrom acting to performance$92292376
997   $aUNINA