LEADER 01081nam0-22003251i-450- 001 990005631210403321 005 20161029193744.0 035 $a000563121 035 $aFED01000563121 035 $a(Aleph)000563121FED01 035 $a000563121 100 $a19990604f19301999km-y0itay50------ba 101 0 $aita 105 $aaf------00--- 200 1 $aOpere complete$fdi Roberto Longhi 210 $aFirenze$cSansoni$d19- 215 $aV., tav.$cill.$d27 cm 300 $aLa biblioteca possiede i voll. 1-2, 4-6, 8.1-9 463 0$1001000563148$12001$aLe CASE romane con facciate graffite e dipinte Roma, Palazzo Braschi, nov.-dic. 1960$fAmici dei Musei di Roma 700 1$aLonghi,$bRoberto$f<1890-1970>$036305 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005631210403321 952 $aST.AR. I D 11 (6)$bST. ARTE$fFLFBC 952 $aST.AR. I D 11 (8)$bST. ARTE$fFLFBC 952 $aST.AR. I D 11 (9)$bST. ARTE$fFLFBC 952 $aST.AR. I D 11 (10)$bST. ARTE$fFLFBC 959 $aFLFBC 996 $aOpere complete$9605222 997 $aUNINA LEADER 03083nam 2200625Ia 450 001 9910451444103321 005 20210927171411.0 010 $a1-281-17236-7 010 $a9786611172367 010 $a1-84150-215-4 035 $a(CKB)1000000000414458 035 $a(EBL)329916 035 $a(OCoLC)608622242 035 $a(SSID)ssj0000184368 035 $a(PQKBManifestationID)11167995 035 $a(PQKBTitleCode)TC0000184368 035 $a(PQKBWorkID)10199651 035 $a(PQKB)11106311 035 $a(MiAaPQ)EBC329916 035 $a(Au-PeEL)EBL329916 035 $a(CaPaEBR)ebr10211690 035 $a(CaONFJC)MIL117236 035 $a(EXLCZ)991000000000414458 100 $a20071027d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aIssues in curating contemporary art and performance$b[electronic resource] /$fedited by Judith Rugg and Miche?le Sedgwick 210 $aBristol, UK ;$aChicago $cIntellect$d2007 215 $a1 online resource (186 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-162-X 320 $aIncludes bibliographical references. 327 $aFront Cover; Preliminary Pages; Contents; Introduction; Part 1: Forms of Thinking in Contemporary Curating; The Curatorial Turn: From Practice to Discourse; Curatorial Strategy as Critical Intervention: The Genesis of Facing East; No Place like Home: Europa; Part 2: Curating and the Interdisciplinary: Encounter, Context, Experience; Critical Spatial Practice: Curating, Editing, Writing; Exhibitions and Their Prerequisites; Part 3: The Role of the Curator: Contestation and Consideration; Curating Doubt 327 $aA Parallel Universe: The ""Women's"" Exhibitions at the ICA, 1980, and the UK/Canadian Film and Video Exchange, 1998-2004Thoughts on Curating; Part 4: Emergent Practices: Subverting the Museum; Oscillating the 'high/low' Art Divide: Animation in Museums and Galleries; Generator: The Value of Software Art; Who Makes Site-specific Dance? The Year of the Artist and the Matrix of Curating; The Movement Began with a Scandal; Notes on Contributors; Back Cover 330 $aExplores developments in electronic art, art/science collaboration, nongallery spaces, and 'virtual' fields. This volume examines issues surrounding the curation of art and performance exhibitions. It covers original theories and expanded concepts of curating contemporary art. 606 $aArt and technology 606 $aArt$xExhibition techniques 606 $aMuseums$xCuratorship 608 $aElectronic books. 615 0$aArt and technology. 615 0$aArt$xExhibition techniques. 615 0$aMuseums$xCuratorship. 676 $a701.05 701 $aRugg$b Judith$0782877 701 $aSedgwick$b Miche?le$01038277 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451444103321 996 $aIssues in curating contemporary art and performance$92459765 997 $aUNINA