LEADER 03388oam 2200757I 450 001 9910451440603321 005 20211027182514.0 010 $a0-203-29571-4 010 $a1-280-32061-3 010 $a1-134-82212-X 010 $a0-203-42893-5 024 7 $a10.4324/9780203428931 035 $a(CKB)1000000000250196 035 $a(EBL)166807 035 $a(OCoLC)63262828 035 $a(SSID)ssj0000161165 035 $a(PQKBManifestationID)11160588 035 $a(PQKBTitleCode)TC0000161165 035 $a(PQKBWorkID)10190621 035 $a(PQKB)11512208 035 $a(MiAaPQ)EBC166807 035 $a(Au-PeEL)EBL166807 035 $a(CaPaEBR)ebr10062922 035 $a(CaONFJC)MIL32061 035 $a(OCoLC)560372729 035 $a(OCoLC)52280396 035 $a(EXLCZ)991000000000250196 100 $a20180331d1996 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aGender reversals and gender cultures $eanthropological and historical perspectives /$fedited by Sabrina Petra Ramet 210 1$aLondon ;$aNew York :$cRoutledge,$d1996. 215 $a1 online resource (246 p.) 300 $aDescription based upon print version of record. 311 $a0-415-11483-7 311 $a0-415-11482-9 320 $aIncludes bibliographical references and index. 327 $aBook Cover; Title; Contents; Notes on contributors; Preface; GENDER REVERSALS AND GENDER CULTURES An Introduction; TRAVERSING GENDER Cultural context and gender practices; SUMER Gender, gender roles, gender role reversals; CROSS-DRESSING AND CROSS-PURPOSES Gender possibilities in the Acts of Thecla; MARTYRS, ASCETICS, AND GNOSTICS Gender-crossing in early Christianity; CROSS-DRESSING, GENDER ERRORS, AND SEXUAL TABOOS IN RENAISSANCE LITERATURE; ELENA ALIAS ELENO Genders, sexualities, and ~race~ in the mirror of natural history in sixteenth-century Spain 327 $aBECOMING MALE Salvation through gender modification in Hinduism and BuddhismGENDER, POWER, AND SPECTACLE IN LATE-IMPERIAL CHINESE THEATER; EROTICISM, SEXUALITY, AND GENDER REVERSAL IN HUNGARIAN CULTURE; SACRED GENDERS IN SIBERIA Shamans, bear festivals, and androgyny; THERE IS MORE THAN JUST WOMEN AND MEN Gender variance in North American Indian cultures; THE PROCREATIVE AND RITUAL CONSTITUTION OF FEMALE, MALE, AND OTHER Androgynous beings in the cul 330 $aThis collection of original essays explores the historical and cultural diversity of the experience of gender reversal over an exceptional geographical and chronological range. Topics cove- red include anthropology, history, literature. 517 1 $aGender reversals & gender cultures 606 $aSex role 606 $aGender identity 606 $aCross-dressing 606 $aTranssexualism 606 $aTaboo 606 $aAndrogyny (Psychology) 608 $aElectronic books. 615 0$aSex role. 615 0$aGender identity. 615 0$aCross-dressing. 615 0$aTranssexualism. 615 0$aTaboo. 615 0$aAndrogyny (Psychology) 676 $a305.3 701 $aRamet$b Sabrina P.$f1949-$0472014 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451440603321 996 $aGender reversals and gender cultures$92481381 997 $aUNINA LEADER 04166nam 2200697 450 001 9910787006103321 005 20230120091911.0 010 $a1-315-57263-X 010 $a1-317-16444-X 010 $a1-317-16443-1 010 $a1-4724-1585-X 035 $a(CKB)3710000000268050 035 $a(EBL)1825709 035 $a(OCoLC)894171065 035 $a(SSID)ssj0001369477 035 $a(PQKBManifestationID)11896687 035 $a(PQKBTitleCode)TC0001369477 035 $a(PQKBWorkID)11287867 035 $a(PQKB)11315408 035 $a(Au-PeEL)EBL1825709 035 $a(CaPaEBR)ebr11000953 035 $a(CaONFJC)MIL924674 035 $a(Au-PeEL)EBL5294180 035 $a(CaONFJC)MIL687869 035 $a(MiAaPQ)EBC1825709 035 $a(MiAaPQ)EBC5294180 035 $a(EXLCZ)993710000000268050 100 $a20150117h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aCollaborative creative thought and practice in music /$fedited by Margaret S. Barrett 210 1$aSurrey, England ;$aBurlington, Vermont :$cAshgate,$d2014. 210 4$dİ2014 215 $a1 online resource (329 p.) 225 1 $aSEMPRE Studies in the Psychology of Music 300 $aDescription based upon print version of record. 311 $a1-4724-1584-1 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aCover; Contents; List of Figures and Tables; List of Music Examples; Notes on Contributors; Series Editors' Preface; Acknowledgements; Part I Introduction; 1 Collaborative Creativity and Creative Collaboration; Part II Collaborative Creativity in Compositional Thought and Practice; 2 The Scattering of Light; 3 No Stone Unturned: Mapping Composer-Performer Collaboration; 4 Learning to Collaborate in Code; 5 Collaborating Across Musical Style Boundaries; 6 We Are All Musical; 7 Rimsky-Korsakov and Musorgsky: A Posthumous Collaboration? 327 $aPart III Collaborative Creativity as Boundary Crossing8 Creative Collaborative Thought and Puzzle Canons in Renaissance Music; 9 The Spirit of Chinese Creativity in Twenty-first-century Cantonese Culture; 10 An Historical Perspective on Creative Collaboration; 11 Collaboration in Duo Piano Performance - 'Piano Spheres'; 12 Creative Collaboration in Generating an Affective Contemporary Production; 13 Collaborative Re-creation; Part IV Emergent Creativity in Collaborative Thought and Practice; 14 Supporting Collaboration in Changing Cultural Landscapes 327 $a15 Thorns and Joys in Creative Collaboration16 Towards Pedagogies of Creative Collaboration; 17 'Literacy Through Music' - A Multidisciplinary and Multilayered Creative Collaboration; Part V Postlude; 18 Musical Performance as Collaborative Practice; Index 330 $aFocusing on the domain of music, the approach taken in this book falls into three sections: investigations of the people, processes, products, and places of collaborative creativity in compositional thought and practice; explorations of the ways in which creative collaboration provides a means of crossing boundaries between disciplines such as music performance and musicology; and studies of the emergence of creative thought and practice in educational contexts including that of the composer and the classroom. The volume concludes with an extended chapter that reflects on the ways in which the 410 0$aSEMPRE studies in the psychology of music. 606 $aComposition (Music)$xPsychological aspects 606 $aCreation (Literary, artistic, etc.)$xSocial aspects 606 $aCreative thinking$xSocial aspects 615 0$aComposition (Music)$xPsychological aspects. 615 0$aCreation (Literary, artistic, etc.)$xSocial aspects. 615 0$aCreative thinking$xSocial aspects. 676 $a781.3 702 $aBarrett$b Margaret S. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910787006103321 996 $aCollaborative creative thought and practice in music$93780050 997 $aUNINA