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100   $a20180331d2003      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aStillness in motion in the seventeenth-century theatre /$fP.A. Skantze
210  1$aLondon ;$aNew York :$cRoutledge,$d2003.
215   $a1 online resource (220 p.)
225 1 $aRoutledge studies in Renaissance literature and culture ;$v1
300   $aDescription based upon print version of record.
311   $a0-203-38919-0 
311   $a0-415-28668-9 
320   $aIncludes bibliographical references (p. [187]-201) and index.
327   $aCover; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; Prologue: Making sense; 1 Permanently moving: Ben Jonson and the design of a lasting performance; 2 Predominantly still: John Milton and the sacred persuasions of performance; 3 Theatrically pressed: Pamphletheatre and the performance of a nation; 4 Decidedly moving: Aphra Behn and the staging of paradoxical pleasures; 5 Perpetually stilled: Jeremy Collier and John Vanbrugh on bonds, women, and soliloquies; Epilogue: Making space; Notes; Bibliography; Index
330   $aStillness in Motion in the Seventeenth Century Theatre provides a comprehensive examination of this aesthetic theory. The author investigates this aesthetic history as a form of artistic creation, philosophical investigation, a way of representing and manipulating ideas about gender and a way of acknowledging, reinforcing and making a critique of social values for the still and moving, the permanent and elapsing. The book's analysis covers the entire seventeenth-century with chapters on the work of Ben Jonson, John Milton, the pamphletheatre, Aphra Behn, John Vanbrugh and Jeremy C
410  0$aRoutledge studies in Renaissance literature and culture ;$v1.
606   $aEnglish drama$y17th century$xHistory and criticism
606   $aDrama$xTechnique
606   $aTheater$zEngland$xHistory$y17th century
606   $aQuietude in literature
608   $aElectronic books.
615  0$aEnglish drama$xHistory and criticism.
615  0$aDrama$xTechnique.
615  0$aTheater$xHistory
615  0$aQuietude in literature.
676   $a822/.409
700   $aSkantze$b P. A.$f1957,$01050208
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910451399703321
996   $aStillness in motion in the seventeenth-century theatre$92479827
997   $aUNINA