LEADER 04745nam 22007332 450 001 9910451392603321 005 20151002020706.0 010 $a0-7486-7106-4 010 $a1-281-22486-3 010 $a9786611224868 010 $a0-7486-3409-6 035 $a(CKB)1000000000411386 035 $a(EBL)332614 035 $a(OCoLC)298904354 035 $a(SSID)ssj0000217611 035 $a(PQKBManifestationID)11217577 035 $a(PQKBTitleCode)TC0000217611 035 $a(PQKBWorkID)10223396 035 $a(PQKB)10736311 035 $a(UkCbUP)CR9780748634095 035 $a(StDuBDS)EDZ0000092814 035 $a(MiAaPQ)EBC332614 035 $a(Au-PeEL)EBL332614 035 $a(CaPaEBR)ebr10435289 035 $a(CaONFJC)MIL122486 035 $a(OCoLC)213353279 035 $a(EXLCZ)991000000000411386 100 $a20130327d2008|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aPalestinian cinema $elandscape, trauma and memory /$fNurith Gertz and George Khleifi$b[electronic resource] 210 1$aEdinburgh :$cEdinburgh University Press,$d2008. 215 $a1 online resource (vii, 224 pages) $cdigital, PDF file(s) 225 1 $aTraditions in World Cinema 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 $a0-7486-3408-8 311 $a0-7486-3407-X 320 $aIncludes bibliographical references (p. 200-211) and index. 320 $aIncludes filmography: p. 212-215. 327 $aCOPYRIGHT; Contents; Introduction; 1. A Chronicle of Palestinian Cinema; 2. From Bleeding Memories to Fertile Memories; 3. About Place and Time: The Films of Michel Khleifi; 4. Without Place, Without Time: The Films of Rashid Masharawi; 5. The House and its Destruction: The Films of Ali Nassar; 6. A Dead-End: Roadblock Movies; 7. Between Exile and Homeland: The Films of Elia Suleiman; Conclusion; Epilogue; Bibliography; Filmography; Index 330 $aAlthough in recent years, the entire world has been increasingly concerned with the Middle East and Israeli-Palestinian relationship, there are few truly reliable sources of information regarding Palestinian society and culture, either concerning its relationship with Israeli society, its position between east and west or its stances in times of war and peace. One of the best sources for understanding Palestinian culture is its cinema which has devoted itself to serving the national struggle. Filmmakers have strived to delineate Palestinian history and to portray the daily life of Palestinians - men, women and children. As well as attempting to connect the past to the typically distressed present, Palestinian cinema has endeavored to suggest a future of national unity, revealing time and again how the longing for personal liberty clashes with the hardships of national existence. In this book, two scholars - an Israeli and a Palestinian - in a rare and welcome collaboration, follow the development of Palestinian cinema, commenting on its response to political and social transformations. They discover that the more the social, political and economic conditions worsen and chaos and pain prevail, the more Palestinian cinema becomes involved with the national struggle. As expected, Palestinian cinema has unfolded its national narrative against the Israeli narrative, which tried to silence it. The reflection of the Israeli in Palestinian cinema is one more harsh and painful testimony to the resentment and hostility between the two peoples, who share a common patch of earth and landscape. Key Features *The first, serious comprehensive study of Palestinian film. *A rare collaboration between Israeli and Palestinian scholars. *A reliable insight into Palestinian society and culture, and the Israeli-Palestinian relationship. 410 0$aTraditions in World Cinema 606 $aNationalism in motion pictures 606 $aPalestinian Arabs in motion pictures 606 $aJewish-Arab relations in motion pictures 606 $aArab-Israeli conflict$xMass media and the conflict 606 $aMotion pictures$zPalestine$xHistory 615 0$aNationalism in motion pictures. 615 0$aPalestinian Arabs in motion pictures. 615 0$aJewish-Arab relations in motion pictures. 615 0$aArab-Israeli conflict$xMass media and the conflict. 615 0$aMotion pictures$xHistory. 676 $a791.43095694 700 $aGertz$b Nurith$01038605 702 $aKhleifi$b George 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910451392603321 996 $aPalestinian cinema$92460319 997 $aUNINA LEADER 04397oam 2200697I 450 001 9910457515303321 005 20200520144314.0 010 $a1-283-44207-8 010 $a9786613442079 010 $a0-203-80468-6 010 $a1-136-64235-8 024 7 $a10.4324/9780203804681 035 $a(CKB)2550000000087684 035 $a(EBL)958653 035 $a(OCoLC)798530525 035 $a(SSID)ssj0000600375 035 $a(PQKBManifestationID)11939936 035 $a(PQKBTitleCode)TC0000600375 035 $a(PQKBWorkID)10600757 035 $a(PQKB)11789980 035 $a(MiAaPQ)EBC958653 035 $a(PPN)198450141 035 $a(Au-PeEL)EBL958653 035 $a(CaPaEBR)ebr10529286 035 $a(CaONFJC)MIL344207 035 $a(OCoLC)785777885 035 $a(EXLCZ)992550000000087684 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGender ideologies and military labor markets in the U.S. /$fSaskia Stachowitsch 210 1$aMilton Park, Abingdon, Oxon ;$aNew York :$cRoutledge,$d2012. 215 $a1 online resource (160 p.) 225 1 $aRoutledge studies in US foreign policy 300 $aDescription based upon print version of record. 311 $a0-415-66707-0 320 $aIncludes bibliographical references (p. [137]-149) and index. 327 $aFront Cover; Gender Ideologies and Military Labor Markets in the US; Copyright Page; Contents; List of tables and figures; Acknowledgments; 1. Introduction; (Re)uniting the material and the cultural; Military gender integration in the US; Military gender ideologies in media representations; War and gender as an interdisciplinary research field; 2. Relations between the material and the cultural; Materialism as a research strategy; Media representations as an object of social science research; The media, the military, and political elites in the US 327 $aCritical Historical Discourse Analysis as a tool for text analysis3. Gender, state, and the military; State formation, militarization, and women's exclusion: historical interrelations; Rationalization and professionalization of the US military: the roots of women's integration; Downsizing and gender equality: the 1990s and beyond; Gender policies as reactions to changing recruitment conditions; The Services; State transformation and military privatization; Transformation of military gender ideologies; 4. Military gender ideologies in the media; The first step: contents of media discourses 327 $aThe second step: contextualizationProfessionalized military women in the "Techno War" (phase 1: 1990-1994); Sexualized intruders into the male bond (phase 2: 1995-1999); Patriotic heroines in the "War on Terror" (phase 3: 2000-2005); 5. Conclusions; Relations between the material and the cultural; Structural change in US military and society; Change of military gender ideologies; The early 1990s; The late 1990s; The "War on Terror"; Groups of actors and lines of conflict; Gender, state, and the military; Notes; References; Index 330 $aGender Ideologies and Military Labor Markets in the U.S. offers a comprehensive analysis of the relationship between changes in military gender ideologies and structural changes in U.S. military and society. By investigating how social and military change have influenced gender ideologies, the author develops an approach that (re-)connects military gender ideologies to the social conditions of their production and distribution and explains their transformation as effects of changing social and political relations and conflicts. 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