LEADER 00909nam0-22003131i-450- 001 990006792440403321 005 20001010 035 $a000679244 035 $aFED01000679244 035 $a(Aleph)000679244FED01 035 $a000679244 100 $a20001010d--------km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $a<>valutazione immobiliare$ecriteri e strumenti operativi per operare in Italia e all'estero$fAlberto M. Lunghini 210 $aMilano$cETAS libri$d1993. 215 $aXIV, 258 p.$d24 cm 225 1 $aGestione d'impresa$iFinanza 610 0 $aImmobili - Estimo 676 $a333.332 700 1$aLunghini,$bAlberto M.$0116101 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006792440403321 952 $aVI H 374$b22600$fFSPBC 959 $aFSPBC 996 $aValutazione immobiliare$9635384 997 $aUNINA DB $aGEN01 LEADER 01340nam2-2200397li-450 001 990000202240203316 005 20180312154707.0 010 $a3-540-65312-0 035 $a0020224 035 $aUSA010020224 035 $a(ALEPH)000020224USA01 035 $a0020224 100 $a20001109d1998----km-y0itay0103----ba 101 0 $aeng 102 $aGW 200 1 $aApplications of uncertainty formalisms$fAnthony Hunter [et al.] (eds.) 210 $aBerlin [etc.]$cSpringer-Verlag$dcopyr. 1998 215 $aVIII, 474 p.$cill.$d24 cm 225 2 $aLecture notes in artificial intelligence$v1455 300 $aserie principale: lecture notes incomputer science 410 0$10010019992$12001$aLecture notes in artificial intelligence 610 1 $ateoria dell'informazione 676 $a00354$9Teoria dell'informazione 702 1$aHunter,$bAnthony 801 $aSistema bibliotecario di Ateneo dell' Università di Salerno$gRICA 912 $a990000202240203316 951 $a001 LNCS (1455)$b0023602$c006.3$d00106759 959 $aBK 969 $aSCI 979 $c19990521 979 $c20001110$lUSA01$h1714 979 $aALANDI$b90$c20010330$lUSA01$h1626 979 $c20020403$lUSA01$h1628 979 $aPATRY$b90$c20040406$lUSA01$h1615 996 $aApplications of uncertainty formalisms$91490430 997 $aUNISA LEADER 03816nam 2200673 a 450 001 9910451379803321 005 20210527014421.0 010 $a1-281-73474-8 010 $a9786611734749 010 $a0-300-13511-4 024 7 $a10.12987/9780300135114 035 $a(CKB)1000000000473608 035 $a(StDuBDS)BDZ0022171513 035 $a(SSID)ssj0000224778 035 $a(PQKBManifestationID)11174373 035 $a(PQKBTitleCode)TC0000224778 035 $a(PQKBWorkID)10210359 035 $a(PQKB)11078686 035 $a(StDuBDS)EDZ0000165604 035 $a(MiAaPQ)EBC3420346 035 $a(DE-B1597)485038 035 $a(OCoLC)1013955138 035 $a(DE-B1597)9780300135114 035 $a(Au-PeEL)EBL3420346 035 $a(CaPaEBR)ebr10210229 035 $a(OCoLC)923592419 035 $a(EXLCZ)991000000000473608 100 $a20010202d2001 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe possessor and the possessed$b[electronic resource] $eHandel, Mozart, Beethoven, and the idea of musical genius /$fPeter Kivy 210 $aNew Haven $cYale University Press$dc2001 215 $a1 online resource (1 online resource (xiv, 287 p.) )$cill., ports 225 1 $aYale series in the philosophy and theory of art 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-300-08758-6 320 $aIncludes bibliographical references (p. 271-275) and index. 327 $tFront matter --$tContents --$tPreface --$tI. Time out of Mind --$tII. Greatness of Mind --$tIII. Breaking the Rule --$tIV. The Saxon or the Devil --$tV. The Genius and the Child --$tVI. The Little Man from Salzburg --$tVII. Giving the Rule --$tVIII. An Unlicked Bear --$tIX. Mozart's Second Childhood --$tX. Odd Men Out --$tXI. Beethoven Again --$tXII. Gendering Genius --$tXIII. Reconstructing Genius --$tNotes --$tBibliography --$tIndex 330 $aThe concept of genius intrigues us. Artistic geniuses have something other people don't have. In some cases that something seems to be a remarkable kind of inspiration that permits the artist to exceed his own abilities. It is as if the artist is suddenly possessed, as if some outside force flows through him at the moment of creation. In other cases genius seems best explained as a natural gift. The artist is the possessor of an extra talent that enables the production of masterpiece after masterpiece. This book explores the concept of artistic genius and how it came to be symbolized by three great composers of the modern era: Handel, Mozart, and Beethoven. Peter Kivy, a leading thinker in musical aesthetics, delineates the two concepts of genius that were already well formed in the ancient world. Kivy then develops the argument that these concepts have alternately held sway in Western thought since the beginning of the eighteenth century. He explores why this pendulum swing from the concept of the possessor to the concept of the possessed has occurred and how the concepts were given philosophical reformulations as views toward Handel, Mozart, and Beethoven as geniuses changed in the eighteenth, nineteenth, and twentieth centuries. 410 0$aYale series in the philosophy and theory of art. 606 $aGenius$xHistory 606 $aCreation (Literary, artistic, etc.)$xHistory 606 $aComposers 608 $aElectronic books. 615 0$aGenius$xHistory. 615 0$aCreation (Literary, artistic, etc.)$xHistory. 615 0$aComposers. 676 $a781/.1 700 $aKivy$b Peter$0598495 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451379803321 996 $aThe possessor and the possessed$92456001 997 $aUNINA