LEADER 03816nam 2200673 a 450 001 9910451379803321 005 20210527014421.0 010 $a1-281-73474-8 010 $a9786611734749 010 $a0-300-13511-4 024 7 $a10.12987/9780300135114 035 $a(CKB)1000000000473608 035 $a(StDuBDS)BDZ0022171513 035 $a(SSID)ssj0000224778 035 $a(PQKBManifestationID)11174373 035 $a(PQKBTitleCode)TC0000224778 035 $a(PQKBWorkID)10210359 035 $a(PQKB)11078686 035 $a(StDuBDS)EDZ0000165604 035 $a(MiAaPQ)EBC3420346 035 $a(DE-B1597)485038 035 $a(OCoLC)1013955138 035 $a(DE-B1597)9780300135114 035 $a(Au-PeEL)EBL3420346 035 $a(CaPaEBR)ebr10210229 035 $a(OCoLC)923592419 035 $a(EXLCZ)991000000000473608 100 $a20010202d2001 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe possessor and the possessed$b[electronic resource] $eHandel, Mozart, Beethoven, and the idea of musical genius /$fPeter Kivy 210 $aNew Haven $cYale University Press$dc2001 215 $a1 online resource (1 online resource (xiv, 287 p.) )$cill., ports 225 1 $aYale series in the philosophy and theory of art 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-300-08758-6 320 $aIncludes bibliographical references (p. 271-275) and index. 327 $tFront matter --$tContents --$tPreface --$tI. Time out of Mind --$tII. Greatness of Mind --$tIII. Breaking the Rule --$tIV. The Saxon or the Devil --$tV. The Genius and the Child --$tVI. The Little Man from Salzburg --$tVII. Giving the Rule --$tVIII. An Unlicked Bear --$tIX. Mozart's Second Childhood --$tX. Odd Men Out --$tXI. Beethoven Again --$tXII. Gendering Genius --$tXIII. Reconstructing Genius --$tNotes --$tBibliography --$tIndex 330 $aThe concept of genius intrigues us. Artistic geniuses have something other people don't have. In some cases that something seems to be a remarkable kind of inspiration that permits the artist to exceed his own abilities. It is as if the artist is suddenly possessed, as if some outside force flows through him at the moment of creation. In other cases genius seems best explained as a natural gift. The artist is the possessor of an extra talent that enables the production of masterpiece after masterpiece. This book explores the concept of artistic genius and how it came to be symbolized by three great composers of the modern era: Handel, Mozart, and Beethoven. Peter Kivy, a leading thinker in musical aesthetics, delineates the two concepts of genius that were already well formed in the ancient world. Kivy then develops the argument that these concepts have alternately held sway in Western thought since the beginning of the eighteenth century. 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Sâerie "Globalisation et sciences sociales" Dette de qui, dette de quoi? 300 $aBibliographic Level Mode of Issuance: Monograph 311 08$a9782343020747 311 08$a2343020744 311 08$a9782336330556 311 08$a2336330555 330 8 $aQue ve?hicule la dette et quels en sont les principaux acteurs? La dette est indissociablement sociale et e?conomique. Quelles sont les modalite?s du partage de la dette et les contraintes qu'elle ge?ne?re? Sont aborde?s ici les dimensions symboliques et politiques de la dette dans diverses socie?te?s ainsi que le caracte?re sexue? de la dette des femmes. Entre dettes qui peuvent se solder et celles dont la dure?e est sans fin, l'analyse de la dette pose un de?fi aux e?conomistes et anthropologues. 410 0$aQuestions Contemporaines 606 $aDebt$xSocial aspects 606 $aDebt 606 $aEconomic anthropology 606 $aFinance$2HILCC 606 $aBusiness & Economics$2HILCC 606 $aCredit, Debt & Loans$2HILCC 615 0$aDebt$xSocial aspects. 615 0$aDebt. 615 0$aEconomic anthropology. 615 7$aFinance 615 7$aBusiness & Economics 615 7$aCredit, Debt & Loans 700 $aBernard Hours$0532277 702 $aHours$b Bernard 702 $aHours$b Bernard 702 $aOuld Ahmed$b Pepita 702 $aOuld Ahmed$b Pepita 801 0$bPQKB 906 $aBOOK 912 $a9910153331403321 996 $aDette de qui, dette de quoi? : une économie anthropologique de la dette$92158296 997 $aUNINA