LEADER 03090nam 22006614a 450 001 9910451364003321 005 20211026102843.0 010 $a1-281-73505-1 010 $a9786611735050 010 $a9780300255416$b(paper) 010 $a0-300-13529-7 024 7 $a10.12987/9780300135299 035 $a(CKB)1000000000473616 035 $a(StDuBDS)AH23049862 035 $a(SSID)ssj0000268519 035 $a(PQKBManifestationID)11937688 035 $a(PQKBTitleCode)TC0000268519 035 $a(PQKBWorkID)10235494 035 $a(PQKB)10109359 035 $a(MiAaPQ)EBC3420301 035 $a(DE-B1597)485607 035 $a(OCoLC)952735802 035 $a(DE-B1597)9780300135299 035 $a(Au-PeEL)EBL3420301 035 $a(CaPaEBR)ebr10202654 035 $a(CaONFJC)MIL173505 035 $a(OCoLC)923591873 035 $a(EXLCZ)991000000000473616 100 $a20051128d2006 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aVoting about God in early church councils$b[electronic resource] /$fRamsay MacMullen 210 $aNew Haven $cYale University Press$dc2006 215 $a1 online resource (192 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-11596-2 320 $aIncludes bibliographical references (p. 155-166) and index. 327 $aIntroduction -- The democratic element -- The cognitive element -- The 'supernaturalist' element -- The violent element -- Preliminaries -- Councils in action -- The stage -- Dioscorus -- Management -- Exact words. 330 $aIn this study, Ramsay MacMullen steps aside from the well-worn path that previous scholars have trod to explore exactly how early Christian doctrines became official. Drawing on extensive verbatim stenographic records, he analyzes the ecumenical councils from A.D. 325 to 553, in which participants gave authority to doctrinal choices by majority vote.The author investigates the sometimes astonishing bloodshed and violence that marked the background to church council proceedings, and from there goes on to describe the planning and staging of councils, the emperors' role, the routines of debate, the participants' understanding of the issues, and their views on God's intervention in their activities. He concludes with a look at the significance of the councils and their doctrinal decisions within the history of Christendom. 606 $aCouncils and synods 606 $aChurch history$yPrimitive and early church, ca. 30-600 606 $aGod (Christianity)$xHistory of doctrines$yEarly church, ca. 30-600 608 $aElectronic books. 615 0$aCouncils and synods. 615 0$aChurch history 615 0$aGod (Christianity)$xHistory of doctrines 676 $a262/.514 700 $aMacMullen$b Ramsay$f1928-$0205377 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451364003321 996 $aVoting about God in early church councils$92473517 997 $aUNINA LEADER 03744nam 2200553 450 001 9910822436103321 005 20230721043154.0 010 $a0-19-973828-9 035 $a(CKB)3710000000623086 035 $a(EBL)4704387 035 $a(Au-PeEL)EBL4704387 035 $a(CaPaEBR)ebr11273985 035 $a(OCoLC)779875891 035 $a(MiAaPQ)EBC4704387 035 $a(EXLCZ)993710000000623086 100 $a20161012h20092009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aMetric manipulations in Haydn and Mozart $echamber music for strings, 1787-1791 /$fDanuta Mirka 210 1$aOxford, [England] ;$aNew York, New York :$cOxford University Press,$d2009. 210 4$dİ2009 215 $a1 online resource (349 p.) 225 1 $aOxford Studies in Music Theory 300 $aDescription based upon print version of record. 311 $a0-19-935408-1 320 $aIncludes bibliographical references and indexes. 327 $aContents; Introduction; Note on Terminology, Language, and Musical Examples; 1 Musical Meter between Composition and Perception; 1.1 The Concept of Meter in the Late Eighteenth Century; 1.2 The Revival of the Hierarchical Concept of Meter in the Twentieth Century; 1.3 Toward a Dynamic Model of Meter; 1.4 Borrowing from a Different Model; 2 Finding Meter; 2.1 Statistical Parameters; 2.2 Harmony; 2.3 Streaming and the Role of Bass; 2.4 Cadence (Structural Accent); 3 Sustaining Meter-Challenging Meter; 3.1 Metrum and Regularity of Beats; 3.2 Missing Beats; 3.3 General Pauses; 3.4 Fermatas 327 $a3.5 Syncopations4 Changing Meter I: Change of Period; 4.1 Imbroglio; 4.2 Submetrical Dissonance; 4.3 Hemiola; 5 Changing Meter II: Change of Phase; 5.1 Chains of Rhythmical Dissonances; 5.2 Other Parameters in Displacement Dissonances; 5.3 Imitation; 5.4 Ligaturae, Retardation, Anticipation; 5.5 Syncopated Accompaniment; 5.6 A Remark on Subliminal Dissonances; 6 Changing Meter III: Change of Tactus; 6.1 Changes of Taktteile in Compound Meters; 6.2 Changes of Taktteile in Double Measures; 6.3 Perceptual Factors; 6.4 Taktteile and the Tactus; 7 Analyses of Long-Range Metrical Strategies 327 $a7.1 Haydn, String Quartet in C Major, Op. 50 No. 2, First Movement7.2 Haydn, String Quartet in F Minor, Op. 55 No. 2, Finale; 8 Wit, Comedy, and Metric Manipulations in Haydn's and Mozart's Personal Styles; 8.1 Haydn; 8.2 Mozart; 8.3 Haydn's Earlier and Later String Quartets; 8.4 Inconclusive Conclusion; Bibliography; Index of Compositions; General Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z 330 $aFocusing on the period of most intense metric experimentation in the work of both Haydn and Mozart, author Danuta Mirka presents here a systematic discussion of the composers' metric strategies. Combining historical music theory with the cognitive study of music, Mirka's award-winning book sheds new light on this repertoire and redefines the role of meter and rhythm in Classical music. 410 0$aOxford studies in music theory. 606 $aMusical meter and rhythm 606 $aChamber music$y18th century$xAnalysis, appreciation 606 $aChamber music$y18th century$xHistory and criticism 615 0$aMusical meter and rhythm. 615 0$aChamber music$xAnalysis, appreciation. 615 0$aChamber music$xHistory and criticism. 676 $a785/.70922 700 $aMirka$b Danuta$01126325 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910822436103321 996 $aMetric manipulations in Haydn and Mozart$92657707 997 $aUNINA