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181   $ctxt
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200 10$aRacechanges$b[electronic resource] $ewhite skin, black face in American culture /$fSusan Gubar
210   $aNew York ;$aOxford $cOxford University Press$d2000
215   $a1 online resource (356 p.)
225 1 $aRace and American culture
300   $aDescription based upon print version of record.
311   $a0-19-513418-4 
320   $aIncludes bibliographical references (p. 293-311) and index.
327   $aCONTENTS; LIST OF ILLUSTRATIONS; PREFACE; 1. ADVENTURES IN THE SKIN TRADE; 2. SPIRIT-MURDER AT THE MOVIES: Blackface Lynchings; 3. MAKING WHITE, BECOMING BLACK: Myths of Racial Origin in the Harlem Renaissance; 4. DE MODERN DO MR. BONES (and All That Ventriloquist Jazz); 5. PSYCHOPATHOLOGIES OF BLACK ENVY: Queer Colors; 6. WHAT WILL THE MIXED CHILD DELIVER? Conceiving Color Without Race; 7. THE EDIBLE COMPLEX: A Postscript; NOTES; WORKS CITED; INDEX
330   $aWhen the actor Ted Danson appeared in blackface at a 1993 Friars Club roast, he ignited a firestorm of protest that landed him on the front pages of the newspapers, rebuked by everyone from talk show host Montel Williams to New York City's then mayor, David Dinkins. Danson's use of blackface was shocking, but was the furious pitch of the response a triumphant indication of how far society has progressed since the days when blackface performers were the toast of vaudeville, or was it also an uncomfortable reminder of how deep the chasm still is separating black and white America?. In Racechange
410  0$aRace and American culture.
606   $aAfrican Americans in popular culture
606   $aBlackface entertainers$zUnited States$xHistory$y20th century
606   $aArts, American$y20th century
608   $aElectronic books.
615  0$aAfrican Americans in popular culture.
615  0$aBlackface entertainers$xHistory
615  0$aArts, American
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