LEADER 03362nam 22006851 450 001 9910451340903321 005 20051201165354.0 010 $a1-4725-6341-7 010 $a1-280-80754-7 010 $a9786610807543 010 $a1-84731-007-9 024 3 $z9781841133560 (hbk.) 035 $a(CKB)1000000000338490 035 $a(EBL)270692 035 $a(OCoLC)476004825 035 $a(SSID)ssj0000130636 035 $a(PQKBManifestationID)12052637 035 $a(PQKBTitleCode)TC0000130636 035 $a(PQKBWorkID)10097580 035 $a(PQKB)11177788 035 $a(MiAaPQ)EBC1772492 035 $a(MiAaPQ)EBC270692 035 $a(Au-PeEL)EBL1772492 035 $a(CaPaEBR)ebr10273858 035 $a(CaONFJC)MIL80754 035 $a(OCoLC)1148075730 035 $a(UtOrBLW)bpp09256401 035 $a(Au-PeEL)EBL270692 035 $a(EXLCZ)991000000000338490 100 $a20140929d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCopyright law in the digital society $ethe challenges of multimedia /$fTanya Aplin 205 $a1st ed. 210 1$aOxford ;$aPortland, Oregon :$cHart Publishing,$d2005. 215 $a1 online resource (324 p.) 300 $aDescription based upon print version of record. 311 $a1-84113-356-6 320 $aIncludes bibliographical references (pages [255]-281) and index. 327 $a1 Understanding Multimedia -- 2 Justifications for Protecting Multimedia Works -- 3 Subsistence of Copyright in Multimedia Works -- 4 Scope of Protection for Multimedia Works -- 5 Exceptions and Multimedia Works -- 6 Reform Proposals -- Conclusion -- Bibliography -- Index. 330 $a"Multimedia technology is a key component of the Digital Society. This book comprehensively examines the extent to which copyright and database right protect multimedia works. It does so from the perspective of UK law, but with due attention being paid to EU law, international treaties and comparative developments in other jurisdictions, such as Australia and the U.S. The central argument of the book is that the copyright and database right regimes are, for the most part, flexible enough to meet the challenges presented by multimedia. As a result, it is neither necessary nor desirable to introduce separate copyright protection or sui generis protection for multimedia works. This important and original new work will be essential reading for any lawyer engaged in advising on IP matters relating to the new media industries, and scholars and students working in intellectual property and computer law."--Bloomsbury Publishing. 606 $aCopyright$xAudio-visual materials$zGreat Britain 606 $aCopyright$xComputer programs$zGreat Britain 606 $aSoftware protection$xLaw and legislation$zGreat Britain 606 $2Intellectual property law 608 $aElectronic books. 615 0$aCopyright$xAudio-visual materials 615 0$aCopyright$xComputer programs 615 0$aSoftware protection$xLaw and legislation 676 $a346.4104/82 700 $aAplin$b Tanya Frances$f1972-$0618896 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910451340903321 996 $aCopyright law in the digital society$92434854 997 $aUNINA LEADER 03008nam 22005894a 450 001 9910779903103321 005 20231212202919.0 010 $a1-84964-518-3 010 $a0-585-42620-1 035 $a(CKB)111056486516252 035 $a(StDuBDS)AH22933805 035 $a(SSID)ssj0000117592 035 $a(PQKBManifestationID)11915484 035 $a(PQKBTitleCode)TC0000117592 035 $a(PQKBWorkID)10043905 035 $a(PQKB)10201720 035 $a(Au-PeEL)EBL3386089 035 $a(CaPaEBR)ebr2001172 035 $a(OCoLC)50799292 035 $a(MiAaPQ)EBC3386089 035 $a(EXLCZ)99111056486516252 100 $a20000530d2000 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCapital, class, and technology in contemporary American culture$b[electronic resource] $eprojecting post-Fordism /$fNick Heffernan 210 $aLondon ; Sterling, Va. $cPluto Press$d2000 215 $a1 online resource (256 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7453-1104-0 311 $a0-7453-1105-9 320 $aIncludes bibliographical references (p. 230-243) and index. 330 $bIn the tradition of Mike Davis and Fredric Jameson, Nick Heffernan engages in a series of meditations on capital, class and technology in contemporary America. He turns to the stories we generate and tell ourselves - via fiction, film journalism, theory - to see how change is registered. By investigating a variety of texts, he observes how structural change affects the way people organise their lives economically, socially and culturally. Case studies include Ridley Scott's Blade Runner, William Gibson's cyberspace trilogy, Thomas Pynchon's The Crying of Lot 49, and Wim Wenders's Until the End of the World.Using the links between narrative cultural forms and the process of historical understanding, he brings together debates that have so far been conducted largely within the separate domains of political economy, social theory and cultural criticism to provide a compelling analysis of contemporary cultural change. By relocating postmodernism in the context of changing modes of capitalism, Heffernan puts the question of class and class agency back at the centre of the critical agenda. 517 1 $aCapital, class & technology in contemporary American culture 606 $aSocial change$zUnited States 606 $aCapitalism$zUnited States 606 $aPostmodernism$xSocial aspects$zUnited States 607 $aUnited States$xSocial conditions$y1980-2020 615 0$aSocial change 615 0$aCapitalism 615 0$aPostmodernism$xSocial aspects 676 $a306/.0973 700 $aHeffernan$b Nick$01518782 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910779903103321 996 $aCapital, class, and technology in contemporary American culture$93756533 997 $aUNINA