LEADER 04734nam 2200757 a 450 001 9910451339403321 005 20200520144314.0 010 $a1-281-40061-0 010 $a9786611400613 010 $a90-474-1099-8 024 7 $a10.1163/ej.9789004153929.i-451 035 $a(CKB)1000000000414761 035 $a(EBL)467714 035 $a(OCoLC)290558804 035 $a(SSID)ssj0000273003 035 $a(PQKBManifestationID)11221437 035 $a(PQKBTitleCode)TC0000273003 035 $a(PQKBWorkID)10309726 035 $a(PQKB)10729438 035 $a(MiAaPQ)EBC467714 035 $a(OCoLC)82368112 035 $a(nllekb)BRILL9789047410997 035 $a(PPN)17438940X 035 $a(Au-PeEL)EBL467714 035 $a(CaPaEBR)ebr10234809 035 $a(CaONFJC)MIL140061 035 $a(EXLCZ)991000000000414761 100 $a20070125d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWoman and art in early modern Latin America$b[electronic resource] /$fedited by Kellen Kee McIntyre and Richard E. Phillips 210 $aLeiden ;$aBoston $cBrill$dc2007 215 $a1 online resource (469 p.) 225 1 $aAtlantic world,$x1570-0542 ;$vv. 10 300 $aDescription based upon print version of record. 311 $a90-04-15392-6 320 $aIncludes bibliographical references and index. 327 $apt. 1. Reconnaissance : marking and mapping the New World with the female body -- pt. 2. Taking possession : appropriations of the New World/female body -- pt. 3. Consolidation : the qualifying and taming of the New World/female body with signifieds -- pt. 4. Fulfillment : the extension and expression of the female body in the New World. 330 $aThis anthology centers on the visual representation of woman in early modern Latin America, that is, the social and cultural construction and definition of female identity as evidenced by the art document. Artists in this period were collectively aware of a vocabulary of gender that could be tailored to deliver varying messages about the position of women in vice regal culture and society. This volume is organized not in the predictable linear framework, by periods and centuries, but rather by the realization that throughout much of this period, Spanish authorities and others envisaged the Spanish colonies of the Americas in gendered terms. Proffered as the female body, the ?New? (virginal by implication) World was at differing times adored, pursued, courted, seduced, defiled, exploited, reviled, and denounced by those (males) who encountered ?her.? This mentality is born out in the various forms of female representation that are discussed in this fully illustrated book. Contributors include: C. Cody Barteet, María Elena Bernal-García, Magali M. Carrera, Carol E. Damian, Carolyn Dean, Catherine R. DiCesare, Lori Boornazian Diel, Kelly Donahue-Wallace, Ray Hernandez-Duran, Andrea Lepage, Kellen Kee McIntyre, Penny Morrill, Elizabeth Q. Perry, Richard E. Phillips, Michael J. Schreffler, and Christopher C. Wilson. ERRATUM TO CHAPTER 7 Ray Hernández-Durán, ? El Encuentro de Cortés y Moctezuma : The Betrothal of Two Worlds in Eighteenth-Century New Spain? (pp. 181?206). On page 194, second paragraph, third sentence, should read: ?Marina?s absence in the encounter painting, where she normally mediates contact between the men, emphasizes the phallogocentric aspect of the historic meeting.? The original phrasing, using the pivotal term, ?phallogocentric? (a reference to a gendered form of exchange or communication) was changed to ?phallus-centered,? which not only alters a central idea in the argument, but actually has nothing to do with the image in question. 410 0$aAtlantic world (Leiden, Netherlands) ;$vv. 10. 606 $aWomen in art 606 $aArt, Latin American$xSpanish influences 606 $aArt, Latin American$y16th century 606 $aArt, Latin American$y17th century 606 $aArt, Latin American$y18th century 606 $aArt, Latin American$y19th century 608 $aElectronic books. 615 0$aWomen in art. 615 0$aArt, Latin American$xSpanish influences. 615 0$aArt, Latin American 615 0$aArt, Latin American 615 0$aArt, Latin American 615 0$aArt, Latin American 676 $a709.8 701 $aMcIntyre$b Kellen Kee$0937905 701 $aPhillips$b Richard E$062827 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451339403321 996 $aWoman and art in early modern Latin America$92112880 997 $aUNINA