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100   $a19951121d1996      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aPostcards from the trenches$b[electronic resource] $enegotiating the space between modernism and the First World War /$fAllyson Booth
210   $aNew York $cOxford University Press$d1996
215   $a1 online resource (199 p.)
300   $aDescription based upon print version of record.
311   $a0-19-510211-8 
320   $aIncludes bibliographical references (p. 175-182) and index.
327   $aContents; Introduction; I. THE SHAPES OF BODIES; One: Corpselessness; Two: Corpses; II. THE SHAPES OF COUNTRIES; Three: Physical Borders; Four: Maps; Five: War Calendar; III. THE SHAPES OF OBJECTS; Six: Forgetful Objects; Seven: Glass Objects; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W
330   $aThis work offers a portrait of the relationship between British First World War culture and modernist writings. It shows that modernist writers and combatants shared a concern with the divide between language and experience. The analysis extends to memorials, posters and architecture.
606   $aEnglish literature$y20th century$xHistory and criticism
606   $aWorld War, 1914-1918$zGreat Britain$xLiterature and the war
606   $aWar stories, English$xHistory and criticism
606   $aWar poetry, English$xHistory and criticism
606   $aModernism (Literature)$zGreat Britain
608   $aElectronic books.
615  0$aEnglish literature$xHistory and criticism.
615  0$aWorld War, 1914-1918$xLiterature and the war.
615  0$aWar stories, English$xHistory and criticism.
615  0$aWar poetry, English$xHistory and criticism.
615  0$aModernism (Literature)
676   $a820.9/358
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996   $aPostcards from the trenches$9540884
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