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135   $aur|n|---|||||
181   $ctxt
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200 10$aLike a film $eideological fantasy on screen, camera and canvas /$fTimothy Murray
210  1$aLondon ;$aNew York :$cRoutledge,$d1993.
215   $a1 online resource (276 p.)
300   $aDescription based upon print version of record.
311   $a0-415-07733-8 
311   $a0-415-07734-6 
320   $aIncludes bibliographical references (p. 240-255) and index.
327   $aBook Cover; Title; Contents; List of figures; Acknowledgements; INTRODUCTION Ideological fantasy in reverse projection; LIKE A FILM Reopening the case of the missing penis with Rainer, Silverman and Torok; PHOTO-MEDUSA Roland Barthes Incorporated; DIRTY STILLS Arcadian retrospection, cinematic hieroglyphs, and blackness run riot in Olivier's Othello; DIRTIER STILL? Wistful gazing and homographic hieroglyphs in Jarman's Caravaggio; WHAT'S HAPPENING? Lyotard writes art; ALLEGORIZING 'CONTENT' Metaphysical contradictions in the Harrisons' Lagoon Cycle; ON THE LINE; Bibliography; Index; 
330   $aTimothy Murray discusses relations between artistic practice, sexual and racial politics, theory and cultural studies through an examination of film, photography and art.
606   $aHomosexuality in motion pictures
606   $aMotion pictures and the arts
606   $aMotion pictures$xPolitical aspects
606   $aMotion pictures$xSocial aspects
608   $aElectronic books.
615  0$aHomosexuality in motion pictures.
615  0$aMotion pictures and the arts.
615  0$aMotion pictures$xPolitical aspects.
615  0$aMotion pictures$xSocial aspects.
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200 12$aA loud call to great mourning$b[electronic resource] $ein a sermon preached on the 30th of January 1661, being the anniversary fast for the execrable murther of our Late Soveraign Lord King Charles the First, of Glorious Memory, before the Honourable Knights, citizens, & burgesses of the Commons House of Parliament, in the parish-church of Saint Margarets Westminster /$fby Nath. Hardy ..
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