LEADER 03375nam 2200661 a 450 001 9910451186203321 005 20200520144314.0 010 $a1-281-03509-2 010 $a9786611035099 010 $a0-08-055188-2 035 $a(CKB)1000000000415423 035 $a(EBL)313782 035 $a(OCoLC)476103668 035 $a(SSID)ssj0000130921 035 $a(PQKBManifestationID)11132570 035 $a(PQKBTitleCode)TC0000130921 035 $a(PQKBWorkID)10099653 035 $a(PQKB)11213036 035 $a(MiAaPQ)EBC313782 035 $a(CaSebORM)9780750682572 035 $a(Au-PeEL)EBL313782 035 $a(CaPaEBR)ebr10190760 035 $a(CaONFJC)MIL103509 035 $a(OCoLC)935264312 035 $a(EXLCZ)991000000000415423 100 $a20070424d2008 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe corporate security professional's handbook on terrorism$b[electronic resource] /$fEdward Halibozek, Andy Jones, Gerald L. Kovacich 205 $a1st edition 210 $aAmsterdam ;$aBoston $cButterworth Heinemann$dc2008 215 $a1 online resource (283 p.) 300 $aDescription based upon print version of record. 311 $a0-7506-8257-4 320 $aIncludes bibliographical references (p. 233) and index. 327 $aWhat is terrorism? -- A short history of terrorism -- Old and new groups -- Case studies of terrorist attacks -- Determining the corporate risks to terrorist attacks -- Physically securing corporate premises in order to mitigate attacks -- Protecting employees from terrorist attacks -- Preparing for a terrorist attack : emergency planning and implementation -- Operational security methods for mitigating terrorist attacks -- Coordinating and planning with antiterrorist agencies -- The future global business environment and security needs -- The future of international terrorism -- The successful security professional in fighting terrorism--now and in the future -- Closing thoughts. 330 $aThe Corporate Security Professional's Handbook on Terrorism is a professional reference that clarifies the difference between terrorism against corporations and their assets, versus terrorism against government assets. It addresses the existing misconceptions regarding how terrorism does or does not affect corporations, and provides security professionals and business executives with a better understanding of how terrorism may impact them. Consisting three sections, Section I provides an explanation of what terrorism is, its history, who engages in it, and why. Section II focus 606 $aCorporations$xSecurity measures$xManagement 606 $aPrivate security services$xManagement 606 $aTerrorism$xPrevention 608 $aElectronic books. 615 0$aCorporations$xSecurity measures$xManagement. 615 0$aPrivate security services$xManagement. 615 0$aTerrorism$xPrevention. 676 $a658.4/77 700 $aHalibozek$b Edward P$0871496 701 $aJones$b Andy$f1952-$0883702 701 $aKovacich$b Gerald L$0858353 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451186203321 996 $aThe corporate security professional's handbook on terrorism$92235327 997 $aUNINA LEADER 06672nam 2201897Ia 450 001 9910792465803321 005 20230725023110.0 010 $a1-282-53149-2 010 $a9786612531491 010 $a1-4008-3432-5 024 7 $a10.1515/9781400834327 035 $a(CKB)2670000000009444 035 $a(EBL)485805 035 $a(OCoLC)609856436 035 $a(SSID)ssj0000362333 035 $a(PQKBManifestationID)11243961 035 $a(PQKBTitleCode)TC0000362333 035 $a(PQKBWorkID)10362412 035 $a(PQKB)10041139 035 $a(MiAaPQ)EBC485805 035 $a(OCoLC)609873756 035 $a(MdBmJHUP)muse36589 035 $a(DE-B1597)446854 035 $a(OCoLC)979579284 035 $a(DE-B1597)9781400834327 035 $a(Au-PeEL)EBL485805 035 $a(CaPaEBR)ebr10367229 035 $a(CaONFJC)MIL253149 035 $a(EXLCZ)992670000000009444 100 $a20090928d2010 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLast looks, last books$b[electronic resource] $eStevens, Plath, Lowell, Bishop, Merrill /$fHelen Vendler 205 $aCourse Book 210 $aPrinceton, NJ $cPrinceton University Press$d2010 215 $a1 online resource (165 p.) 225 1 $aThe A.W. Mellon lectures in the fine arts ;$v2003 225 1 $aBollingen series ;$vXXXV, 56 300 $aDescription based upon print version of record. 311 $a0-691-14534-2 327 $tFront matter --$tContents --$tAcknowledgments --$t1. Introduction: Last Looks, Last Books --$t2. Looking at the Worst: Wallace Stevens's The Rock --$t3. The Contest of Melodrama and Restraint: Sylvia Plath's Ariel --$t4. Images of Subtraction: Robert Lowell's Day by Day --$t5. Caught and Freed: Elizabeth Bishop and Geography III --$t6. Self-Portraits While Dying: James Merrill and A Scattering of Salts --$tNotes --$tThe Andrew W. Mellon Lectures in the Fine Arts, 1952-2007 330 $aIn Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry. 410 0$aA.W. Mellon lectures in the fine arts ;$v2003. 410 0$aBollingen series ;$vXXXV, 56. 606 $aAmerican poetry$y20th century$xHistory and criticism 606 $aDeath in literature 610 $aAdjective. 610 $aAfter Apple-Picking. 610 $aAllusion. 610 $aAmputation. 610 $aArs Poetica (Horace). 610 $aAsymmetry. 610 $aBecause I could not stop for Death. 610 $aBevel. 610 $aBinocular vision. 610 $aBluebeard's Castle. 610 $aBurial. 610 $aCalcium carbonate. 610 $aCarbon monoxide. 610 $aCaspar David Friedrich. 610 $aCoffin. 610 $aCouplet. 610 $aDeath and Life. 610 $aDeath drive. 610 $aDeath. 610 $aDeathbed. 610 $aDesiccation. 610 $aDiction. 610 $aDisjecta membra. 610 $aDramatis Personae. 610 $aElizabeth Bishop. 610 $aEmblem. 610 $aEmily Dickinson. 610 $aEmptiness. 610 $aExecutive director. 610 $aEzra Pound. 610 $aFairy tale. 610 $aFine art. 610 $aGrandparent. 610 $aHexameter. 610 $aHuman extinction. 610 $aImpermanence. 610 $aIn Death. 610 $aIn the Flesh (TV series). 610 $aIncineration. 610 $aIrony. 610 $aJames Merrill. 610 $aJohn Donne. 610 $aJohn Keats. 610 $aLady Lazarus. 610 $aLament. 610 $aLast Poems. 610 $aLecture. 610 $aLife Studies. 610 $aLycidas. 610 $aMacabre. 610 $aMelodrama. 610 $aMetaphor. 610 $aMicrotome. 610 $aMisery (novel). 610 $aMourning. 610 $aNarcissism. 610 $aNarrative. 610 $aNational Gallery of Art. 610 $aNational Humanities Center. 610 $aOttava rima. 610 $aOtto Plath. 610 $aPentameter. 610 $aPhone sex. 610 $aPity. 610 $aPlath. 610 $aPlatitude. 610 $aPoetry. 610 $aPrinceton University Press. 610 $aPsychotherapy. 610 $aRhyme scheme. 610 $aRhyme. 610 $aRigor mortis. 610 $aRobert Lowell. 610 $aSadness. 610 $aSestet. 610 $aShe Died. 610 $aSkirt. 610 $aSlowness (novel). 610 $aSoliloquy. 610 $aSonnet. 610 $aStanza. 610 $aSubtraction. 610 $aSuffering. 610 $aSuicide attempt. 610 $aSylvia Plath. 610 $aTed Hughes. 610 $aTercet. 610 $aTerza rima. 610 $aThe Other Hand. 610 $aThe Snapper (novel). 610 $aTrepanning. 610 $aTyvek. 610 $aVillanelle. 610 $aVocation (poem). 610 $aW. B. Yeats. 610 $aW. H. Auden. 610 $aWallace Stevens. 610 $aWasting. 610 $aWilliam Shakespeare. 610 $aWriting. 615 0$aAmerican poetry$xHistory and criticism. 615 0$aDeath in literature. 676 $a811.509 676 $a811/.5093548 700 $aVendler$b Helen$f1933-$0291362 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792465803321 996 $aLast looks, last books$93825228 997 $aUNINA