LEADER 03380nam 22007091 450 001 9910451138703321 005 20200514202323.0 010 $a1-4725-4595-8 010 $a1-281-29883-2 010 $a9786611298838 010 $a1-84714-325-3 024 7 $a10.5040/9781472545954 035 $a(CKB)1000000000408665 035 $a(EBL)436657 035 $a(OCoLC)290596060 035 $a(SSID)ssj0000237365 035 $a(PQKBManifestationID)11176371 035 $a(PQKBTitleCode)TC0000237365 035 $a(PQKBWorkID)10192155 035 $a(PQKB)11525012 035 $a(MiAaPQ)EBC436657 035 $a(Au-PeEL)EBL436657 035 $a(CaPaEBR)ebr10224781 035 $a(CaONFJC)MIL129883 035 $a(OCoLC)893334340 035 $a(OCoLC)1137143811 035 $a(UtOrBLW)bpp09255625 035 $a(EXLCZ)991000000000408665 100 $a20140929d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe return of the Baroque in modern culture /$fGregg Lambert 210 1$aLondon :$cNew York :$cContinuum,$d2004. 215 $a1 online resource (177 p.) 300 $aDescription based upon print version of record. 311 $a0-8264-6648-6 320 $aIncludes bibliographical references (pages [150]-161) and index. 327 $aContents; Acknowledgements; Introduction: Why the baroque?; Part One: Renovations of the Seventeenth-Century Baroque; Part Two: Baroque and Modern; Part Three: Baroque and Postmodern; Part Four: Baroque and Postcolonial; Conclusion: One or many baroques?; Notes; Bibliography; Index 330 8 $aThe Return of the Baroque in Modern Culture explores the re-invention of the early European Baroque within the philosophical, cultural, and literary thought of postmodernism in Europe, the United States, the Caribbean, and Latin America. Gregg Lambert argues that the "return of the Baroque" expresses a principle often hidden behind the cultural logic of postmodernism in its various national and cultural incarnations, a principal often in variance with Anglo-American modernism. Writers and theorists examined include Walter Benjamin, Paul de Man, Jacques Derrida, Michel Foucault, Octavio Paz, and Cuban novelists Alejo Carpentier and Severo Sarduy. A highly original and compelling reinterpretation of modernity, The Return of the Baroque in Modern Culture answers Raymond Williams' charge to create alternative national and international accounts of aesthetic and cultural history in order to challenge the centrality of Anglo-American modernism 606 $aBaroque literature$xHistory and criticism 606 $aLiterature, Modern$y20th century$xHistory and criticism 606 $aModernism (Aesthetics) 606 $aModernism (Literature) 606 $aPostmodernism 606 $2Philosophy 615 0$aBaroque literature$xHistory and criticism. 615 0$aLiterature, Modern$xHistory and criticism. 615 0$aModernism (Aesthetics) 615 0$aModernism (Literature) 615 0$aPostmodernism. 676 $a809/.911 700 $aLambert$b Gregg$f1961-$0870659 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910451138703321 996 $aThe return of the Baroque in modern culture$91973560 997 $aUNINA