LEADER 02394oam 2200661I 450 001 9910451097203321 005 20200520144314.0 010 $a0-415-11674-0 010 $a1-134-81820-3 010 $a1-280-05266-X 010 $a0-203-36009-5 024 7 $a10.4324/9780203360095 035 $a(CKB)1000000000255086 035 $a(EBL)179536 035 $a(OCoLC)56366067 035 $a(SSID)ssj0000305512 035 $a(PQKBManifestationID)11226511 035 $a(PQKBTitleCode)TC0000305512 035 $a(PQKBWorkID)10293099 035 $a(PQKB)11452839 035 $a(MiAaPQ)EBC179536 035 $a(Au-PeEL)EBL179536 035 $a(CaPaEBR)ebr10099246 035 $a(CaONFJC)MIL5266 035 $a(EXLCZ)991000000000255086 100 $a20180706d1995 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe paper canoe $ea guide to theatre anthropology /$fEugenio Barba ; translated by Richard Fowler 210 1$aLondon ;$aNew York :$cRoutledge,$d1995. 215 $a1 online resource (197 p.) 300 $aDescription based upon print version of record. 311 $a0-203-37685-4 311 $a0-415-10083-6 320 $aIncludes bibliographical references (p. 173-181) and index. 327 $aBook Cover; Title; Contents; Preface; THE GENESIS OF THEATRE ANTHROPOLOGY; DEFINITION; RECURRING PRINCIPLES; NOTES FOR THE PERPLEXED (AND FOR MYSELF); ENERGY, OR RATHER, THE THOUGHT; THE DILATED BODY: Notes on the search for meaning; A THEATRE NOT MADE OF STONES AND BRICKS; CANOES, BUTTERFLIES AND A HORSE; Notes; Index 330 $aAn enormously exciting, beautifully written and very moving work. The Paper Canoe comprises a fascinating dialogue with such masters of theatre as Stanislavski, Meyerhold, Craig, Copeau, Brecht, Artand and Decroux. 606 $aActing 606 $aDance 606 $aTheater$xAnthropological aspects 608 $aElectronic books. 615 0$aActing. 615 0$aDance. 615 0$aTheater$xAnthropological aspects. 676 $a792 676 $a792.01 700 $aBarba$b Eugenio.$0220773 701 $aFowler$b Richard$0949461 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910451097203321 996 $aThe paper canoe$92145971 997 $aUNINA LEADER 02325nam 2200565z- 450 001 9910765532803321 005 20240228080002 010 $a9782722606197 010 $a2722606194 035 $a(CKB)5590000001251060 035 $a(PPN)272695483 035 $a(FR-PaCSA)88950900 035 $a(FRCYB88950900)88950900 035 $a(oapen)doab131578 035 $a(EXLCZ)995590000001251060 100 $a20251204d2023 u| | 101 0 $aeng 135 $aurun| ||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aOn the Inequality of Lives$eInaugural Lecture delivered on Thursday 16 January 2020 210 1$aParis, France$cCollège de France$d2023 215 $a1 online resource 225 1 $aLeçons inaugurales 330 $aThere is, on the one hand, life that flows from a beginning to an end, and, on the other hand, life that constitutes human singularity because it can be recounted. We may term them "biological life" and "biographical life". Life expectancy measures the length of the former; a life story relates the richness of the latter. Only by acknowledging both can the inequality of lives be comprehended. They should be conceived of as being both distinct and connected: distinct, because the paradox of French women shows that a long life is no guarantee of a good life; connected, because the experience of African-American men stands as a reminder that a devalued life is a damaged life. This also raises the question of refugees and migrants. 606 $aIllness & addiction: social aspects$2bicssc 606 $aMedicine$2bicssc 606 $aSocial discrimination & inequality$2bicssc 610 $aanthropology 610 $ahealth 610 $ainequality 610 $ainequity 610 $alife 610 $alife expectancy 610 $alives 610 $apublic health 610 $asocial inequality 610 $asocial science 610 $asociety 610 $asociology 615 7$aIllness & addiction: social aspects 615 7$aMedicine 615 7$aSocial discrimination & inequality 700 $aFassin$b Didier$0719773 801 0$bFR-PaCSA 906 $aBOOK 912 $a9910765532803321 996 $aOn the Inequality of Lives$94227942 997 $aUNINA