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010   $a9786611364410
010   $a1-4039-7913-8
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035   $a(DE-He213)978-1-4039-7913-1
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035   $a(CaPaEBR)ebr10135565
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100   $a20050110d2005      uy             0
101 0 $aeng
135   $aurnn#008mamaa
181   $ctxt
182   $cc
183   $acr
200 10$aBeautiful boys/outlaw bodies$b[electronic resource] $edevising Kabuki female-likeness /$fKatherine Mezur
205   $a1st ed. 2005.
210   $aNew York $cPalgrave Macmillan$dc2005
215   $a1 online resource (336 p.)
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a1-349-52991-5 
311   $a1-4039-6712-1 
320   $aIncludes bibliographical references and index.
327   $a1. Transforming genders -- 2. Theory into performance -- 3. Precursors and unruly vanguards -- 4. Star designing and myth making -- 5. Modernity, nation, and eros : boys versus women -- 6. The aesthetics of female-likeness -- 7. The intentional body -- 8. Performative gender role types -- 9. Toward a new alchemy of gender, sex, and sexuality.
330   $aThis book is a feminist reading of gender performance and construction of the female role players, onnogata, of the Kabuki theatre. It is not limited to a 'theatre arts' focus, rather it is a mapping and close analysis of transformative genders through several historical periods in Japan (the seventeenth through the twentieth centuries).
606   $aKabuki
606   $aFemale impersonators$zJapan
608   $aElectronic books.
615  0$aKabuki.
615  0$aFemale impersonators
676   $a792/.0952
700   $aMezur$b Katherine$0956988
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910451088003321
996   $aBeautiful boys$92167382
997   $aUNINA