LEADER 04251oam 2200685I 450 001 9910450985403321 005 20200520144314.0 010 $a1-134-23110-5 010 $a9786610217298 010 $a1-134-23111-3 010 $a1-280-21729-4 010 $a0-203-01276-3 024 30$z9780415362481 035 $a(CKB)1000000000249741 035 $a(SSID)ssj0000295668 035 $a(PQKBManifestationID)11214195 035 $a(PQKBTitleCode)TC0000295668 035 $a(PQKBWorkID)10315974 035 $a(PQKB)10687581 035 $a(MiAaPQ)EBC243173 035 $a(Au-PeEL)EBL243173 035 $a(CaPaEBR)ebr10163440 035 $a(CaONFJC)MIL21729 035 $a(OCoLC)437158399 035 $a(OCoLC)252720616 035 $a(EXLCZ)991000000000249741 100 $a20180706d2005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEthno-techno $ewritings on performance, activism, and pedagogy /$fGuillermo Gomez-Pen?a ; edited by Elaine Pen?a 210 1$aNew York :$cRoutledge,$d2005. 215 $axxvi, 304 p. $cill 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-415-36247-4 311 $a0-415-36248-2 320 $aIncludes bibliographical references and index. 327 $tpart track One INTRODUCTORY ESSAYS AND CHRONICLES -- $tchapter 1 On the other side of the Mexican mirror -- $tchapter 2 In defense of performance -- $tchapter 3 Culturas-in-extremis: Performing against the cultural backdrop of the mainstream bizarre -- $tchapter 4 An open letter to the national arts community -- $tpart track two PEDAGOGY: A useful guide to the Pocha method -- $tchapter 5 Crosscontamination: The performance activism and oppositional art of La Pocha Nostra /$rGuillermo Go?mez-Pen?a, with Rachel Rogers, Kari Hensley, Elaine Pen?a, Roberto Sifuentes, and Michelle Ceballos -- $tchapter 6 La Pocha Nostra?s basic methodology -- $tpart track three PERFORMANCE RADIO -- $tchapter 7 Letter to an unknown thief -- $tchapter 8 HSAC-TV: The Home-Shopping Art Channel -- $tchapter 9 The imaginary effects of a Trans-American Free-Trade Zone -- $tchapter 10 A sad postcard from San Francisco, Chilicon Valley -- $tchapter 11 Postcards from Alaska: A chilling tale of performance artists in the snow /$rGuillermo Go?mez-Pen?a -- $tchapter 12 Touring in times of war -- $tchapter 13 On dual citizenship -- $tchapter 14 My evil twin -- $tchapter 15 Saddam in Hollywood -- $tchapter 16 Frida lite or Fat-free dah -- $tpart track four PERFORMANCE LITERATURE: For the stage and cyberspace -- $tchapter 17 Brownout 2 175 /$rIntroduction: Elaine Katzenberger -- $tchapter 18 Twenty-?rst-century Chicano newscast -- $tchapter 19 America?s most wanted inner demon -- $tchapter 20 A declaration of poetic disobedience from the new border -- $tchapter 21 Helpful performance tips on how to avoid xenophobia and express solidarity with innocent Arab-Americans after 9/11 /$rGuillermo Go?mez-Pen?a -- $tchapter 22 The post-9/11 ?rights and privileges? of a US citizen -- $tpart track ?ve Conversations with theorists -- $tchapter 23 Theatricalizations of postcolonial theory: A Colombian philosopher interviews a Chicano performance artist /$rEduardo Mendieta -- $tchapter 24 The mine?elds of Utopia: A dialogue on the dangers of artistic collaboration /$rLisa Wolford -- $tchapter 25 The mine?elds of Dystopia: The pervasive effects of 9/11 /$rLisa Wolford -- $tchapter 26 Loose ends: The fluid borders between author and editor /$rElaine Pen?a. 606 $aPerformance art$zUnited States$y20th century 606 $aMexican American art 606 $aPolitics in art 606 $aMinorities in art 606 $aArt and race 608 $aElectronic books. 615 0$aPerformance art 615 0$aMexican American art. 615 0$aPolitics in art. 615 0$aMinorities in art. 615 0$aArt and race. 676 $a700 700 $aGomez-Pena$b Guillermo.$0692730 701 $aPena$b Elaine$0870216 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910450985403321 996 $aEthno-techno$91942729 997 $aUNINA