LEADER 03290nam 2200745Ia 450 001 9910450931103321 005 20200520144314.0 010 $a1-281-36273-5 010 $a9786611362737 010 $a0-230-60419-6 024 7 $a10.1057/9780230604193 035 $a(CKB)1000000000342419 035 $a(EBL)307667 035 $a(OCoLC)314774221 035 $a(SSID)ssj0001657444 035 $a(PQKBManifestationID)16439810 035 $a(PQKBTitleCode)TC0001657444 035 $a(PQKBWorkID)14989187 035 $a(PQKB)10430557 035 $a(SSID)ssj0000122960 035 $a(PQKBManifestationID)11132434 035 $a(PQKBTitleCode)TC0000122960 035 $a(PQKBWorkID)10131579 035 $a(PQKB)10623104 035 $a(DE-He213)978-0-230-60419-3 035 $a(MiAaPQ)EBC307667 035 $a(Au-PeEL)EBL307667 035 $a(CaPaEBR)ebr10175720 035 $a(CaONFJC)MIL136273 035 $a(EXLCZ)991000000000342419 100 $a20070222d2007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aClass representation in modern fiction and film$b[electronic resource] /$fKeith Gandal 205 $a1st ed. 2007. 210 $aBasingstoke $cPalgrave Macmillan$dc2007 215 $a1 online resource (239 p.) 300 $aDescription based upon print version of record. 311 $a1-349-53792-6 311 $a1-4039-7792-5 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; List of Abbreviations; Acknowledgments; Introduction: An Apology for Studying Class, Not Culture; Part I: Slumming Drama; Chapter 1 Award-Winning Hollywood Blockbusters; Chapter 2 A Shameful Look at Zora Neale Hurston; Part II: Class and Status Trauma; Chapter 3 Nauseating Indie Films; Chapter 4 A Spiritual Autopsy of Stephen Crane; Part III: Slumming Trauma; Chapter 5 The Cult Film Fight Club; Chapter 6 Henry Miller and the Embrace of Defilement; Appendix: Michel Foucault's Shame: Epistemology in a Closet; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S 327 $aTU; V; W; Y 330 $aA fresh exploration of the representation of poverty and class in American literature and film, through the juxtaposition of films, writings and the unusual lives of Zora Neale Hurston, Stephen Crane, Henry Miller and Michel Foucault. The book argues for Hurston's centrality, not merely to the African-American canon, but to the American tradition. 606 $aSocial classes in literature 606 $aSocial classes in motion pictures 606 $aAmerican literature$y19th century$xHistory and criticism 606 $aAmerican literature$y20th century$xHistory and criticism 608 $aElectronic books. 615 0$aSocial classes in literature. 615 0$aSocial classes in motion pictures. 615 0$aAmerican literature$xHistory and criticism. 615 0$aAmerican literature$xHistory and criticism. 676 $a810.9355 700 $aGandal$b Keith$0983944 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450931103321 996 $aClass representation in modern fiction and film$92254181 997 $aUNINA