LEADER 03005nam 2200721Ia 450 001 9910450835803321 005 20200520144314.0 010 $a6610547688 010 $a1-280-54768-5 010 $a9786610547685 010 $a1-4237-9762-0 010 $a1-60750-181-3 010 $a600-00-0451-6 010 $a1-60129-485-9 024 3 $z9781586036263 035 $a(CKB)1000000000340170 035 $a(EBL)267725 035 $a(OCoLC)191037988 035 $a(SSID)ssj0000178971 035 $a(PQKBManifestationID)11156263 035 $a(PQKBTitleCode)TC0000178971 035 $a(PQKBWorkID)10230494 035 $a(PQKB)11038359 035 $a(MiAaPQ)EBC267725 035 $a(Au-PeEL)EBL267725 035 $a(CaPaEBR)ebr10152508 035 $a(CaONFJC)MIL54768 035 $a(OCoLC)71334123 035 $a(EXLCZ)991000000000340170 100 $a20060523d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aInformation and communication technology and public innovation$b[electronic resource] $eassessing the ICT-driven modernization of public administration /$f[edited by] Victor Bekkers, Hein van Duivenboden, Marcel Thaens 210 $aAmsterdam ;$aWashington, DC $cIOS Press$d2006 215 $a1 online resource (256 p.) 225 1 $aInnovation and the public sector ;$vv. 12 300 $aDescription based upon print version of record. 311 $a1-58603-626-2 320 $aIncludes bibliographical references and index. 327 $aTitle page; Preface; Contents; Part 1. Setting the Stage; Part 2. Process Innovation; Part 3. Product and Technological Innovation; Part 4. Organizational Innovation; Part 5. Conceptual and Institutional Innovation; Part 6. Instrumental and Institutional Assessment; Author Index 330 $aThe modernization of public administration is a recurring theme on the political and public agenda in many countries. This book demonstrates how public administration organizations try to adapt to changing circumstances in their environment in order the secure their legitimacy, presenting a number of case studies. 410 0$aInnovation and the public sector ;$vv. 12. 606 $aPublic administration$xInformation technology 606 $aInformation technology$xPolitical aspects 606 $aInternet in public administration 608 $aElectronic books. 615 0$aPublic administration$xInformation technology. 615 0$aInformation technology$xPolitical aspects. 615 0$aInternet in public administration. 676 $a352.3/8/02854678 701 $aBekkers$b V. J. J. M$0915076 701 $aDuivenboden$b Hein van$0915077 701 $aThaens$b Marcel$0915078 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450835803321 996 $aInformation and communication technology and public innovation$92050839 997 $aUNINA LEADER 06930nam 2200661 450 001 9910467397103321 005 20200520144314.0 010 $a3-11-048498-6 010 $a3-11-048633-4 024 7 $a10.1515/9783110486339 035 $a(CKB)3850000000000993 035 $a(EBL)4714812 035 $a(MiAaPQ)EBC4714812 035 $a(DE-B1597)467639 035 $a(OCoLC)958053284 035 $a(OCoLC)968246523 035 $a(DE-B1597)9783110486339 035 $a(PPN)202116093 035 $a(Au-PeEL)EBL4714812 035 $a(CaPaEBR)ebr11279403 035 $a(CaONFJC)MIL961945 035 $a(OCoLC)960720499 035 $a(EXLCZ)993850000000000993 100 $a20161229h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFacing loss and death $enarrative and eventfulness in lyric poetry /$fPeter Huhn ; with contributions by Britta Goerke, Heilna du Plooy, and Stefan Schenk-Haupt 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2016. 210 4$dİ2016 215 $a1 online resource (338 p.) 225 1 $aNarratologia ;$vVolume 55 300 $aIncludes index. 311 $a3-11-048422-6 327 $tFrontmatter -- $tTable of Contents -- $t1. Introduction -- $t2. Mourning the Death of a Beloved Person -- $t2.0. Introduction / $rHühn, Peter -- $t2.1. Ben Jonson: "On My First Daughter" (1593) and "On My First Son" (1603) / $rHühn, Peter -- $t2.2. John Donne: "Since She Whom I Loved" (1617) and John Milton: "Methought I Saw My Late Espoused Saint" (1658) / $rHühn, Peter -- $t2.3. Lord Byron: "Away, Away, Ye Notes of Woe" (1811) and "And Thou art Dead, as Young and Fair" (1812) / $rHühn, Peter -- $t2.4. Edgar Allan Poe: "Lenore" (1844-1849) / $rHühn, Peter -- $t2.5. Seamus Heaney: "Mid-Term Break" (1966) / $rPlooy, Heilna du -- $t2.6. Eavan Boland: "The Blossom" (1998) and "The Pomegranate" (1994) / $rHühn, Peter -- $t2.7. Summary / $rHühn, Peter -- $t3. Coping with Loss in Love -- $t3.0. Introduction / $rHühn, Peter -- $t3.1. William Shakespeare: The Sonnets (1609) / $rHühn, Peter -- $t3.2. John Donne: "A Valediction: Forbidding Mourning" (1633) / $rSchenk-Haupt, Stefan -- $t3.3. William Wordsworth: "Lucy Poems" (1800, 1801/1807) / $rHühn, Peter -- $t3.4. Emily Dickinson: "After Great Pain" (ca. 1862) / $rPlooy, Heilna du -- $t3.5. Thomas Hardy: "The Voice" (1912/14) / $rGoerke, Britta -- $t3.6. Sylvia Plath: "The Other" (1962) / $rSchenk-Haupt, Stefan -- $t3.7. Ted Hughes: Birthday Letters (1998) / $rHühn, Peter -- $t3.8. Summary / $rHühn, Peter -- $t4. Confronting One's Own Death -- $t4.0. Introduction / $rHühn, Peter -- $t4.1. Sir Walter Raleigh: "Verses Made the Night before He Died" (1618) and Chidiock Tichborne: "Elegy" (1586) / $rHühn, Peter -- $t4.2. John Donne: "What if this Present were the World's Last Night" (1609/1611) / $rHühn, Peter -- $t4.3. William Cowper: "The Castaway" (1799/1800) / $rGoerke, Britta -- $t4.4. John Keats: "When I have Fears that I May Cease to be" (1818) and Lord Byron: "On this Day I Complete my Thirty-Sixth Year" (1824) / $rHühn, Peter -- $t4.5. Emily Dickinson: "Because I Could not Stop for Death" (ca. 1863) / $rPlooy, Heilna du -- $t4.6. Rupert Brooke: "The Soldier" (1914) and Wilfred Owen: "Strange Meeting" (1918) / $rHühn, Peter -- $t4.7. D. H. Lawrence: "Bavarian Gentians" (1932) / $rHühn, Peter -- $t4.8. Summary / $rHühn, Peter -- $t5. Lamenting the Death of Poets -- $t5.0. Introduction / $rHühn, Peter -- $t5.1. Henry Howard, Earl of Surrey: "An Excellent Epitaph of Sir Thomas Wyatt" (1542) / $rHühn, Peter -- $t5.2. Thomas Carew: "An Elegy upon the Death of the Dean of Paul's, Dr John Donne" (1633) / $rHühn, Peter -- $t5.3. Percy Bysshe Shelley: "Adonais: An Elegy on the Death of John Keats" (1821) / $rHühn, Peter -- $t5.4. W. H. Auden: "In Memory of W. B. Yeats" (1939) / $rHühn, Peter -- $t5.5. Seamus Heaney: "Audenesque: in memory of Joseph Brodsky" (1996) / $rHühn, Peter -- $t5.6. Summary / $rHühn, Peter -- $t6. Thematizing the Loss of an Old Order -- $t6.0. Introduction / $rHühn, Peter -- $t6.1. John Donne: An Anatomy of the World (1611) and William Shakespeare: The Sonnets (1609) / $rHühn, Peter -- $t6.2. William Wordsworth: "The World is too Much with Us" (1807) and W. B. Yeats: "High Talk" (1939) / $rHühn, Peter -- $t6.3. Percy Bysshe Shelley: "Lift not the Painted Veil" (1818/1824) and "The Cloud" (1819/1820) / $rGoerke, Britta -- $t6.4. Matthew Arnold: "Dover Beach" (1851) and Gerard Manley Hopkins: "No Worst, there is None" (ca. 1885) / $rHühn, Peter -- $t6.5. T. S. Eliot: The Waste Land (1922) and "Journey of the Magi" (1930) / $rGoerke, Britta -- $t6.6. W. B. Yeats: "Lapis Lazuli" (1938) / $rHühn, Peter -- $t6.7. Tony Harrison: "A Kumquat for John Keats" (1981) / $rGoerke, Britta -- $t6.8. Summary / $rHühn, Peter -- $t7. Conclusion: Summary and Results -- $tIndex (authors and titles) 330 $aLyric poetry as a temporal art-form makes pervasive use of narrative elements in organizing the progressive course of the poetic text. This observation justifies the application of the advanced methodology of narratology to the systematic analysis of lyric poems. After a concise presentation of this transgeneric approach to poetry, the study sets out to demonstrate its practical fruitfulness in detailed analyses of a large number of English (and some American) poems from the early modern period to the present. The narratological approach proves particularly suited to focus on the hitherto widely neglected dimension of sequentiality, the dynamic progression of the poetic utterance and its eventful turns, which largely constitute the raison d'être of the poem. To facilitate comparisons, the examples chosen share one special thematic complex, the traumatic experience of severe loss: the death of a beloved person, the imminence of one's own death, the death of a revered fellow-poet and the loss of a fundamental stabilizing order. The function of the poems can be described as facing the traumatic experience in the poetic medium and employing various coping strategies. 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