LEADER 02287nam 2200589Ia 450 001 9910450831403321 005 20200520144314.0 010 $a1-280-53342-0 010 $a0-19-536209-8 035 $a(CKB)1000000000413134 035 $a(EBL)431302 035 $a(OCoLC)252604160 035 $a(SSID)ssj0000132381 035 $a(PQKBManifestationID)11149967 035 $a(PQKBTitleCode)TC0000132381 035 $a(PQKBWorkID)10028339 035 $a(PQKB)10602064 035 $a(MiAaPQ)EBC431302 035 $a(Au-PeEL)EBL431302 035 $a(CaPaEBR)ebr10279381 035 $a(CaONFJC)MIL53342 035 $a(EXLCZ)991000000000413134 100 $a19900523d1991 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCrimes of writing$b[electronic resource] $eproblems in the containment of representation /$fSusan Stewart 210 $aNew York $cOxford University Press$dc1991 215 $aXII, 353 s$cill 311 $a0-19-506617-0 320 $aIncludes bibliographical references (p. 291-310) and index. 330 $aFrom the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of ""crimes of writing""--the forgeries of George Psalmanazar, the production of ""fakelore,"" the ""ballad scandals"" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography. 606 $aLaw and literature 606 $aLiterary forgeries and mystifications 606 $aMimesis in literature 606 $aUt pictura poesis (Aesthetics) 608 $aElectronic books. 615 0$aLaw and literature. 615 0$aLiterary forgeries and mystifications. 615 0$aMimesis in literature. 615 0$aUt pictura poesis (Aesthetics) 676 $a809 700 $aStewart$b Susan$f1952-$0168242 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450831403321 996 $aCrimes of writing$9480512 997 $aUNINA