LEADER 02237nam 2200577Ia 450 001 9910450787303321 005 20200520144314.0 010 $a1-281-30774-2 010 $a9786611307745 010 $a1-84150-925-6 035 $a(CKB)1000000000338317 035 $a(EBL)283089 035 $a(OCoLC)60038220 035 $a(SSID)ssj0000081956 035 $a(PQKBManifestationID)11119720 035 $a(PQKBTitleCode)TC0000081956 035 $a(PQKBWorkID)10115120 035 $a(PQKB)10854749 035 $a(MiAaPQ)EBC283089 035 $a(Au-PeEL)EBL283089 035 $a(CaPaEBR)ebr10078684 035 $a(CaONFJC)MIL130774 035 $a(EXLCZ)991000000000338317 100 $a20050502d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTheatre and consciousness$b[electronic resource] $eexplanatory scope and future potential /$fDaniel Meyer-Dinkgrafe 210 $aBristol ;$aOregon $cIntellect Books$dc2005 215 $a1 online resource (239 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-130-1 320 $aIncludes bibliographies and index. 327 $aPreliminaries; Table of Contents; Introduction; 1: Consciousness, Inspiration and the Creative Process; 2: Human Consciousness Reflected in Drama; 3: Consciousness and Acting; 4: Indian Theatre Aesthetics; 5: Reception and Audiences; 6: Concepts of Theatre Studies; 7: Vedic Science and Materialism: Comments on Demastes' Staging Consciousness; Bibliography; Appendix 1; Appendix 2; Index 330 $aThe book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. 606 $aTheater$xPsychological aspects 606 $aTheater$xHistory and criticism 608 $aElectronic books. 615 0$aTheater$xPsychological aspects. 615 0$aTheater$xHistory and criticism. 676 $a792.01 700 $aMeyer-Dinkgrafe$b Daniel$0951419 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450787303321 996 $aTheatre and consciousness$92191499 997 $aUNINA