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100   $a20180706d2004      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aPrologues to Shakespeare's theatre $eperformance and liminality in early modern drama /$fDouglas Bruster and Robert Weimann
210  1$aLondon ;$aNew York :$cRoutledge,$d2004.
215   $a1 online resource (185 p.)
300   $aDescription based upon print version of record.
311   $a0-415-33442-X 
311   $a0-415-33443-8 
320   $aIncludes bibliographical references (p. [157]-182) and index.
327   $aThe Elizabethan prologue : text, actor, performance -- Prologue as threshold and usher -- Authority and authorization in the pre-Shakespearean prologue -- Frivolous jestures versus matter of worth : Christopher Marlowe -- Kingly harp and iron pen in the playhouse : George Peele -- From hodge-podge to scene individable : John Lyly -- Henry V and the signs of power : William Shakespeare.
330   $aThis remarkable study shows how prologues ushered audience and actors through a rite of passage and how they can be seen to offer rich insight into what the early modern theatre was thought capable of achieving.
606   $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism
606   $aEnglish drama$y17th century$xHistory and criticism
606   $aPrologues and epilogues$xHistory and criticism
606   $aMimesis in literature
606   $aDrama$xTechnique
606   $aOpenings (Rhetoric)
608   $aElectronic books.
615  0$aEnglish drama$xHistory and criticism.
615  0$aEnglish drama$xHistory and criticism.
615  0$aPrologues and epilogues$xHistory and criticism.
615  0$aMimesis in literature.
615  0$aDrama$xTechnique.
615  0$aOpenings (Rhetoric)
676   $a822.3/3
686   $a18.05$2bcl
700   $aBruster$b Douglas.$0318126
701   $aWeimann$b Robert$0163891
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910450761303321
996   $aPrologues to Shakespeare's theatre$92447575
997   $aUNINA