LEADER 03904oam 2200649I 450 001 9910450739603321 005 20200520144314.0 010 $a1-134-57621-8 010 $a1-280-24034-2 010 $a0-203-31296-1 010 $a9786610240340 024 7 $a10.4324/9780203312964 035 $a(CKB)1000000000448107 035 $a(EBL)199367 035 $a(OCoLC)252737167 035 $a(SSID)ssj0000129586 035 $a(PQKBManifestationID)11147521 035 $a(PQKBTitleCode)TC0000129586 035 $a(PQKBWorkID)10078802 035 $a(PQKB)10955390 035 $a(MiAaPQ)EBC199367 035 $a(Au-PeEL)EBL199367 035 $a(CaPaEBR)ebr10163254 035 $a(CaONFJC)MIL24034 035 $a(OCoLC)62284930 035 $a(EXLCZ)991000000000448107 100 $a20180706d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aContemporary American independent film $efrom the margins to the mainstream /$fedited by Chris Holmlund and Justin Wyatt 210 1$aLondon ;$aNew York :$cRoutledge,$d2005. 215 $a1 online resource (321 p.) 300 $aIncludes bibliographical references and index. 311 $a0-415-25487-6 311 $a0-415-25486-8 327 $aCover; Title; Copyright; Dedication; Contents; List of illustrations; Notes on contributors; Acknowledgements; 1 Introduction: from the margins to the mainstream; PART I Critical formations; 2 Introduction to 'critical formations'; 3 Ordinary people, European-style: or how to spot an independent feature; 4 Independence for independents; 5 Dimension Pictures: portrait of a 1970s' independent; 6 End of the indies: Death of the Sayles men; 7 Alternative cinemas; PART II Cult film/cool film; 8 'Queen of the indies': Parker Posey's niche stardom and the taste cultures of independent film 327 $a9 Dark, disturbing, intelligent, provocative, and quirky: avant-garde cinema of the 1980s and 1990s10 Communitarianism, film entrepreneurism, and the crusade of Troma Entertainment; PART III Iconoclasts and auteurs; 11 John Sayles, independent filmmaker: 'Bet on yourself'; 12 Haile Gerima: 'Sacred shield of culture'; 13 Seminal fantasies: Wakefield Poole, pornography, independent cinema and the avant-garde; PART IV Identity hooks cultural binds; 14 Generation Q's ABCs: queer kids and 1990s' independent films; 15 Just another girl outside the neo-indie 327 $a16 Guests at The Wedding Banquet: the cinema of the Chinese diaspora and the rise of the American independentsPART V Shifting markets, changing media; 17 Revisiting 1970s' independent distribution and marketing strategies; 18 Digital deployment(s); 19 The IFC and Sundance: channeling independence; Index 330 $aFrom Easy Rider to The Blair Witch Project, this book is a comprehensive examination of the independent film scene. Exploring the uneasy relationship between independent films and the major studios, the contributors trace the changing ideas and definitions of independent cinema, and the diversity of independent film practices.They consider the ways in which indie films are marketed and distributed, and how new technologies such as video, cable and the internet, offered new opportunities for filmmakers to produce and market independent films.Turning to the wor 606 $aMotion pictures$zUnited States$xHistory 606 $aIndependent filmmakers$zUnited States 608 $aElectronic books. 615 0$aMotion pictures$xHistory. 615 0$aIndependent filmmakers 676 $a791.43/0973 701 $aHolmlund$b Chris$0879405 701 $aWyatt$b Justin$f1963-$01030604 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450739603321 996 $aContemporary American independent film$92447573 997 $aUNINA