LEADER 03800nam 22006252 450 001 9910450652503321 005 20151005020620.0 010 $a1-107-12871-4 010 $a1-280-16019-5 010 $a0-511-11843-0 010 $a1-139-14630-0 010 $a0-511-06671-6 010 $a0-511-06040-8 010 $a0-511-30540-0 010 $a0-511-48404-6 010 $a0-511-06884-0 035 $a(CKB)1000000000017971 035 $a(EBL)218143 035 $a(OCoLC)57172218 035 $a(SSID)ssj0000131349 035 $a(PQKBManifestationID)11134497 035 $a(PQKBTitleCode)TC0000131349 035 $a(PQKBWorkID)10004814 035 $a(PQKB)10388986 035 $a(UkCbUP)CR9780511484049 035 $a(MiAaPQ)EBC218143 035 $a(Au-PeEL)EBL218143 035 $a(CaPaEBR)ebr10069874 035 $a(CaONFJC)MIL16019 035 $a(EXLCZ)991000000000017971 100 $a20090224d2002|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aCounterfeiting Shakespeare $eevidence, authorship, and John Ford's Funerall elegye /$fBrian Vickers$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2002. 215 $a1 online resource (xxvii, 568 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-12035-7 311 $a0-521-77243-5 320 $aIncludes bibliographical references (p. 554-562) and index. 327 $tPrologue: Gary Taylor finds a poem --$gpt. I.$tDonald Foster's 'Shakespearean' Construct.$g1.$t'W. S.' and the Elegye for William Peter.$g2.$tParallels? Plagiarisms?$g3.$tVocabulary and diction.$g4.$tGrammar: 'the Shakespearean "who"'.$g5.$tProsody, punctuation, pause patterns.$g6.$tRhetoric: 'the Shakespearean "hendiadys"'.$g7.$tStatistics and inference.$g8.$tA poem 'indistinguishable from Shakespeare'? --$gpt. II.$tJohn Ford's 'Funerall Elegye'.$g9.$tFord's writing career: poet, moralist, playwright.$g10.$tFord and the Elegye's 'Shakespearean diction'.$g11.$tThe Funerall Elegye in its Fordian context.$tEpilogue: The politics of attribution --$gApp. I.$tThe text of A Funerall Elegye --$gApp. II.$tVerbal parallels between A Funerall Elegye and Ford's poems. 330 $a'Counterfeiting' Shakespeare addresses the fundamental issue of what Shakespeare actually wrote, and how this is determined. In recent years his authorship has been claimed for two poems, the lyric 'Shall I die?' and A Funerall Elegye. These attributions have been accepted into certain major editions of Shakespeare's works but Brian Vickers argues that both attributions rest on superficial verbal parallels; both use too small a sample, ignore negative evidence, and violate basic principles in authorship studies. Through a fresh examination of the evidence, Professor Vickers shows that neither poem has the stylistic and imaginative qualities we associate with Shakespeare. In other words, they are 'counterfeits', in the sense of anonymously authored works wrongly presented as Shakespeare's. He argues that the poet and dramatist John Ford wrote the Elegye: its poetical language (vocabulary, syntax, prosody) is indistinguishable from Ford's, and it contains several hundred close parallels with his work. By combining linguistic and statistical analysis this book makes an important contribution to authorship studies. 606 $aPoetry$xAuthorship 615 0$aPoetry$xAuthorship. 676 $a822.3/3 700 $aVickers$b Brian$0166398 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910450652503321 996 $aCounterfeiting Shakespeare$9157528 997 $aUNINA