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181   $ctxt$2rdacontent
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200 14$aThe improvisation of musical dialogue $ea phenomenology of music /$fBruce Ellis Benson$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d2003.
215   $a1 online resource (xiv, 200 pages) $cdigital, PDF file(s)
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a0-521-00932-4 
311   $a0-521-81093-0 
320   $aIncludes bibliographical references and index.
327   $aBetween composition and performance -- Composing : from Ursprung to Fassung letzter Hand -- Performing : the improvisation of preservation -- The Ergon with Energeia -- Being musical with the other.
330   $aThis book is an important contribution to the philosophy of music. Whereas most books in this field focus on the creation and reproduction of music, Bruce Benson's concern is the phenomenology of music making as an activity. He offers the radical thesis that it is improvisation that is primary in the moment of music making. Succinct and lucid, the book brings together a wide range of musical examples from classical music, jazz, early music and other genres. It offers a rich tapestry incorporating both analytic and continental philosophy, musicology and performance-practice issues. It will be a provocative read for philosophers of art and musicologists and, because it eschews technicality, should appeal to general readers, especially those who perform.
606   $aMusic$xPhilosophy and aesthetics
606   $aImprovisation (Music)
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aImprovisation (Music)
676   $a781.4/3117
700   $aBenson$b Bruce Ellis$f1960-$0850527
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910450550003321
996   $aThe improvisation of musical dialogue$91899046
997   $aUNINA