LEADER 03683nam 22006852 450 001 9910450531303321 005 20151005020622.0 010 $a1-107-12866-8 010 $a1-280-41781-1 010 $a0-511-17926-X 010 $a1-139-14628-9 010 $a0-511-06669-4 010 $a0-511-06038-6 010 $a0-511-30629-6 010 $a0-511-48201-9 010 $a0-511-06882-4 035 $a(CKB)1000000000018450 035 $a(EBL)217747 035 $a(OCoLC)559175634 035 $a(SSID)ssj0000103132 035 $a(PQKBManifestationID)11120157 035 $a(PQKBTitleCode)TC0000103132 035 $a(PQKBWorkID)10061349 035 $a(PQKB)10098025 035 $a(UkCbUP)CR9780511482014 035 $a(MiAaPQ)EBC217747 035 $a(Au-PeEL)EBL217747 035 $a(CaPaEBR)ebr10069911 035 $a(CaONFJC)MIL41781 035 $a(OCoLC)57204685 035 $a(EXLCZ)991000000000018450 100 $a20090216d2003|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aAnalyzing popular music /$fedited by Allan F. Moore$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2003. 215 $a1 online resource (ix, 270 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-10035-6 311 $a0-521-77120-X 320 $aIncludes bibliographical references (p. 240-257), discography (p. 258-260) and index. 327 $aPopular music analysis : ten apothegms and four instances / Rob Walser -- From lyric to anti-lyric : analyzing the words in pop song / Dai Griffiths -- The sound is "out there" : score, sound design, and exoticism in The X-files / Robynn J. Stilwell -- Feel the beat come down : house music as rhetoric / Stan Hawkins -- The determining role of performance in the articulation of meaning : the case of "Try a little tenderness" / Rob Bowman -- Marxist music analysis without Adorno : popular music and urban geography / Adam Krims -- Jethro Tull and the case for modernism in mass culture / Allan F. Moore -- Pangs of history in late 1970s rock / John Covach -- Is anybody listening? / Chris Kennett -- Talk and text : popular music and ethnomusicology / Martin Stokes. 330 $aHow do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way. 606 $aPopular music$xAnalysis, appreciation 606 $aPopular music$xHistory and criticism 606 $aMusical analysis 615 0$aPopular music$xAnalysis, appreciation. 615 0$aPopular music$xHistory and criticism. 615 0$aMusical analysis. 676 $a781.64 702 $aMoore$b Allan F. 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910450531303321 996 $aAnalyzing popular music$92446846 997 $aUNINA