LEADER 03590nam 22007092 450 001 9910450528603321 005 20151005020622.0 010 $a1-107-13108-1 010 $a1-280-41909-1 010 $a1-139-14731-5 010 $a0-511-17035-1 010 $a0-511-06372-5 010 $a0-511-05739-3 010 $a0-511-32394-8 010 $a0-511-48193-4 010 $a0-511-07218-X 035 $a(CKB)1000000000018041 035 $a(EBL)218159 035 $a(OCoLC)57419435 035 $a(SSID)ssj0000121982 035 $a(PQKBManifestationID)11139990 035 $a(PQKBTitleCode)TC0000121982 035 $a(PQKBWorkID)10122685 035 $a(PQKB)10869148 035 $a(MiAaPQ)EBC218159 035 $a(Au-PeEL)EBL218159 035 $a(CaPaEBR)ebr10069921 035 $a(CaONFJC)MIL41909 035 $a(UkCbUP)CR9780511481932 035 $a(EXLCZ)991000000000018041 100 $a20090216d2002|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aChromatic transformations in nineteenth-century music /$fDavid Kopp$b[electronic resource] 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2002. 215 $a1 online resource (xiii, 275 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in music theory and analysis ;$v17 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-02849-3 311 $a0-521-80463-9 320 $aIncludes bibliographical references (p. 264-269) and index. 327 $aCommon-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses. 330 $aDavid Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples. 410 0$aCambridge studies in music theory and analysis ;$v17. 606 $aHarmony 606 $aChromaticism (Music) 606 $aMusic$y19th century$xHistory and criticism 615 0$aHarmony. 615 0$aChromaticism (Music) 615 0$aMusic$xHistory and criticism. 676 $a781.2/52 700 $aKopp$b David$01021763 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910450528603321 996 $aChromatic transformations in nineteenth-century music$92425552 997 $aUNINA