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100   $a19930527d1994      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aColeridge and textual instability$b[electronic resource] $ethe multiple versions of the major poems /$fJack Stillinger
210   $aNew York $cOxford University Press$d1994
215   $a1 online resource (268 p.)
300   $aIncludes index.
311   $a0-19-508583-3 
320   $aIncludes bibliographical references (p. 237-250) ) and index.
327   $aContents; Abbreviations; 1. Introduction: The Current State of Coleridge's Poetic Texts; 2. The Multiple Versions; The Eolian Harp; This Lime-Tree Bower My Prison; Frost at Midnight; The Rime of the Ancient Mariner; Kubla Khan; Christabel; Dejection: An Ode; 3. Coleridge as Reviser; 4. A Practical Theory of Versions; Appendix: Texts and Apparatuses; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z
330   $aJack Stillinger establishes and documents the existence of numerous different authoritative versions of Coleridge's best-known poems: sixteen or more of The Eolian Harp, for example, eighteen of The Rime of the Ancient Mariner, and comparable numbers for This Lime-Tree Bower, Frost at Midnight, Kubla Khan, Christabel, and Dejection: An Ode. Such multiplicity of versions raises interesting theoretical and practical questions about the constitution of the Coleridge canon, the ontological identity of any specific work in the canon, the editorial treatment of Coleridge's works, and the ways in whi
606   $aEnglish poetry$y19th century$xHistory and criticism
608   $aElectronic books.
615  0$aEnglish poetry$xHistory and criticism.
676   $a821/.7
700   $aStillinger$b Jack$0119187
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906   $aBOOK
912   $a9910450458903321
996   $aColeridge and textual instability$92133444
997   $aUNINA