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100   $a19980105d1997      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aUnderstanding rock$b[electronic resource] $eessays in musical analysis /$fedited by John Covach and Graeme M. Boone
210   $aNew York $cOxford University Press$d1997
215   $a1 online resource (427 p.)
300   $aIncludes index.
311   $a0-19-510004-2 
311   $a0-19-510005-0 
327   $aCover Page; Title Page; Copyright Page; Preface; Acknowledgments; Contents; Contributors; 1 Progressive Rock, "Close to the Edge," and the Boundaries of Style; 2 After Sundown The Beach Boys' Experimental Music; 3 Blues Transformations in the Music of Cream; 4 Joanie" Get Angry k. d. lang's Feminist Revision; 5 Swallowed by a Song Paul Simon's Crisis of Chromaticism; 6 "Little Wing" A Study in Musical Cognition; 7 Tonal and Expressive Ambiguity in "Dark Star"; Index
330   $aAmid the recent increase in scholarly attention to rock music, Understanding Rock stands out as one of the first books that subjects diverse aspects of the music itself to close and sophisticated analytical scrutiny. Written by some of the best young scholars in musicology and music theory, the essays in this volume use harmonic, melodic, rhythmic, formal, and textual approaches in order to show how and why rock music works as music. Topics of discussion include the adaptation of blues and other styles to rock; the craft of songwriting; techniques and strategies of improvisation; the reinterpr
606   $aRock music$xHistory and criticism
606   $aRock music$xAnalysis, appreciation
608   $aElectronic books.
615  0$aRock music$xHistory and criticism.
615  0$aRock music$xAnalysis, appreciation.
676   $a781.66/0973
676   $a781.660973
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906   $aBOOK
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996   $aUnderstanding rock$92149722
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