LEADER 03657nam 22006974a 450 001 9910450430203321 005 20200520144314.0 010 $a0-520-93702-3 010 $a1-59734-491-5 024 7 $a10.1525/9780520937024 035 $a(CKB)1000000000024200 035 $a(EBL)223043 035 $a(OCoLC)475927001 035 $a(SSID)ssj0000111047 035 $a(PQKBManifestationID)11140922 035 $a(PQKBTitleCode)TC0000111047 035 $a(PQKBWorkID)10080660 035 $a(PQKB)11564702 035 $a(StDuBDS)EDZ0000084708 035 $a(MiAaPQ)EBC223043 035 $a(DE-B1597)519979 035 $a(OCoLC)56733040 035 $a(DE-B1597)9780520937024 035 $a(Au-PeEL)EBL223043 035 $a(CaPaEBR)ebr10068574 035 $a(EXLCZ)991000000000024200 100 $a20040128d2004 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aBeyond structural listening?$b[electronic resource] $epostmodern modes of hearing /$fedited by Andrew Dell'Antonio 210 $aBerkeley $cUniversity of California Press$dc2004 215 $a1 online resource (346 p.) 300 $aDescription based upon print version of record. 311 $a0-520-23757-9 311 $a0-520-23760-9 320 $aIncludes bibliographical references (p. 303-317) and index. 327 $tIntroduction : beyond structural listening? /$rAndrew Dell'Antonio --$tThe disciplined subject of music analysis /$rFred Everett Maus --$tMusical virtues /$rMitchell Morris --$tThe chosen one's choice /$rTamara Levitz --$tBeethoven antihero : sex, violence, and the aesthetics of failure, or, Listening to the Ninth symphony as postmodern sublime /$rRobert Fink --$tPassion ; Mirrors /$rPaul Attinello --$tUncertainty, disorientation, and loss as responses to musical structure /$rJoseph Dubiel --$tCollective listening : postmodern critical processes and MTV /$rAndrew Dell'Antonio --$tOne bar in eight : Debussy and the death of description /$rElisabeth LeGuin --$tThe return of the aesthetic : music formalism and its place in political critique /$rMartin Scherzinger --$tAfterword : toward the next paradigm of musical scholarship /$rRose Rosengard Subotnik. 330 $aIn a highly influential essay, Rose Rosengard Subotnik critiques "structural listening" as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume, prominent young music historians and theorists writing on repertories ranging from Beethoven to MTV, take up Subotnik's challenge in what is likely to be one of musical scholarship's intellectual touchstones for many years to come. Original, innovative, and sophisticated, their essays explore not only the implications of the "structural listening" model but also the alternative listening strategies that have developed in specific communities, often in response to twentieth-century Western music. 606 $aMusical criticism 606 $aMusical analysis 606 $aMusic$xPhilosophy and aesthetics 606 $aMusic$xSocial aspects 606 $aPostmodernism 608 $aElectronic books. 615 0$aMusical criticism. 615 0$aMusical analysis. 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aMusic$xSocial aspects. 615 0$aPostmodernism. 676 $a781.1/7 701 $aDell'Antonio$b Andrew$01039123 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450430203321 996 $aBeyond structural listening$92461139 997 $aUNINA LEADER 01027nam a22002651i 4500 001 991000371949707536 005 20040821150231.0 008 040920s1999 it |||||||||||||||||ita 020 $a8823805295 035 $ab13211225-39ule_inst 035 $aARCHE-115746$9ExL 040 $aSet. Economia$bita$cA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l. 082 04$a332.17068 100 1 $aTagliavini, Giulio$0117949 245 10$aCosto del capitale, analisi finanziaria e corporate banking /$cGiulio Tagliavini 260 $aMilano :$bEGEA,$cc1999 300 $a231 p. ;$c24 cm 650 4$aAziende$xGestione finanziaria 650 4$aServizi bancari$xGestione 907 $a.b13211225$b02-04-14$c23-09-04 912 $a991000371949707536 945 $aLE025 ECO 332.1 TAG01.01$g1$i2025000155732$lle025$nC. 1$o-$pE25.00$q-$rl$s- $t0$u1$v0$w1$x0$y.i13866424$z23-09-04 996 $aCosto del capitale, analisi finanziaria e corporate banking$9466071 997 $aUNISALENTO 998 $ale025$b23-09-04$cm$da $e-$fita$git $h0$i1