LEADER 05171nam 22006852 450 001 9910450329503321 005 20211206205416.0 010 $a1-280-95909-6 010 $a9781423709624 010 $a9786610959099 010 $a90-485-0538-0 010 $a1-4237-0962-4 024 7 $a10.1515/9789048505388 035 $a(CKB)1000000000242015 035 $a(EBL)410657 035 $a(OCoLC)437089611 035 $a(SSID)ssj0000190408 035 $a(PQKBManifestationID)11215639 035 $a(PQKBTitleCode)TC0000190408 035 $a(PQKBWorkID)10179945 035 $a(PQKB)10280647 035 $a(MiAaPQ)EBC410657 035 $a(DE-B1597)534377 035 $a(DE-B1597)9789048505388 035 $a(UkCbUP)CR9789048505388 035 $a(Au-PeEL)EBL410657 035 $a(CaPaEBR)ebr10106669 035 $a(CaONFJC)MIL95909 035 $a(EXLCZ)991000000000242015 100 $a20210107d2005|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 04$aThe learned eye $eregarding art, theory, and the artist's reputation : essays for Ernst van de Wetering /$fedited by Marieke van den Doel [and others]$b[electronic resource] 210 1$aAmsterdam :$cAmsterdam University Press,$d2005. 215 $a1 online resource (228 pages) $cdigital, PDF file(s) 225 0 $aRembrandt 300 $aTitle from publisher's bibliographic system (viewed on 05 Feb 2021). 311 0 $a90-5356-713-5 320 $a"Bibliography of Ernst van de Wetering": p. 214-221. 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tTable of Contents --$tIntroduction --$tThe Learned Eye /$rWeststeijn, Thijs --$tBiography of Ernst van de Wetering /$rWeststeijn, Thijs --$tPart I. The Work of Art --$tIn the Beginning There Was Red /$rGroen, Karin --$tThe Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses /$rKlein, Peter --$tRembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston /$rHaverkamp Begemann, Egbert --$tThe Portrait of Theodorus Schrevelius /$rBijl, Martin --$tPart II. The Rules of Art --$tThe Contours in the Paintings of the Oranjezaal, Huis ten Bosch /$rvan Eikema Hommes, Margriet --$tAelbert Cuyp's Innovative Use of Spatial Devices /$rTummers, Anna --$tColour Symbolism in Seventeenth-Century Dutch Painting /$rWheelock, Arthur --$tRembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His Master /$rWeststeijn, Thijs --$tPart III. The Artist's Reputation --$t'A Record and Memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession /$rBrown, Christopher --$t'Das Werk erdacht und cirkulirt'. The Position of Architects at the Court of King Ferdinand I of Bohemia and His Son, Archduke Ferdinand II of Austria /$rSimons, Madelon --$tCrossing the Wall of History. Etienne Delécluze on the Art and Morality of Jacques-Louis David /$rHaveman, Mariette --$tGoltzius, Painting and Flesh; or, Why Goltzius Began to Paint in 1600 /$rSluijter, Eric Jan --$tPart IV. Painters, Patrons and Art-Lovers --$t'Pour mon honneur et pour vostre contentement': Nicolas Poussin, Paul Fréart de Chantelou and the Making and Collecting of Copies /$rFranken, Michiel --$tGerard de Lairesse and Jacob de Wit in situ /$rLiedtke, Walter --$t'The Painter he findes at his Easill at worke' /$rvan Os, Henk --$tBibliography of Ernst van de Wetering --$tAbout the Authors --$tIndex of Names 330 $aArtists of the seventeenth century were known not just for their skill with a brush and canvas, but also for their knowledge of history, poetry, and literature-what was referred to as an oculus eruditus or 'learned eye.' Rembrandt, for example, was known during his lifetime for mixing his own colors and for his seemingly 'rough' and unique manner of texturing his works. He was not simply an artist; he was a teacher and a salesman too-his etchings were hugely popular with his contemporaries. Rembrandt's 'learned eye,' his understanding of both the methods and the reality of being an artist, is also visible in the work and lives of other masters like Anthony van Dyck, Frans Hals, and Nicholas Poussin. Contributors to The Learned Eye examine their visions, as well as those of other, more modern artists, all dedicated to the interdisciplinary fields of art, art history, curation, and restoration. Dedicated to the leader of the Rembrandt Research Project, Ernst van de Wetering, The Learned Eye is a superb overview of the artist at work and an exquisite argument for creative and expansive art scholarship. 410 0$aRembrandt 606 $aArt, Dutch$y17th century 606 $aArtists$zNetherlands 606 $aVisual perception 615 0$aArt, Dutch 615 0$aArtists 615 0$aVisual perception. 676 $a709.492 702 $aDoel$b Marieke van den 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910450329503321 996 $aThe learned eye$92480778 997 $aUNINA