LEADER 01887nam 22005531a 450 001 9910450306603321 005 20200520144314.0 010 $a1-281-04137-8 010 $a9786611041373 035 $a(CKB)1000000000001374 035 $a(OCoLC)53138826 035 $a(CaPaEBR)ebrary10040280 035 $a(SSID)ssj0000277844 035 $a(PQKBManifestationID)11240467 035 $a(PQKBTitleCode)TC0000277844 035 $a(PQKBWorkID)10242238 035 $a(PQKB)11269567 035 $a(MiAaPQ)EBC3137446 035 $a(Au-PeEL)EBL3137446 035 $a(CaPaEBR)ebr10040280 035 $a(CaONFJC)MIL104137 035 $a(OCoLC)922997800 035 $a(EXLCZ)991000000000001374 100 $a20031020d2003 my 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aChinese military power$b[electronic resource] $ereport of an independent task force sponsored by the Council on Foreign Relations Maurice R. Greenberg Center for Geoeconomic Studies /$fHarold Brown, chair ; Joseph W. Prueher, vice-chair; Adam Segal, project director 210 $aNew York, N.Y. $cCouncil on Foreign Relations$d2003 215 $a1 online resource (106 p.) 225 1 $aTask force report (Council on Foreign Relations) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-87609-330-6 410 0$aTask force report (Council on Foreign Relations) 607 $aChina$xArmed Forces 607 $aChina$xMilitary policy 608 $aElectronic books. 701 $aBrown$b Harold$f1927-$098146 701 $aPrueher$b Joseph W.$f1942-$01044910 701 $aSegal$b Adam$f1968-$0281932 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450306603321 996 $aChinese military power$92470822 997 $aUNINA LEADER 04579nam 2200997 450 001 9910819551803321 005 20230803220531.0 010 $a0-520-27974-3 010 $a0-520-95794-6 024 7 $a10.1525/9780520957947 035 $a(CKB)2550000001165548 035 $a(EBL)1568699 035 $a(SSID)ssj0001059900 035 $a(PQKBManifestationID)11985587 035 $a(PQKBTitleCode)TC0001059900 035 $a(PQKBWorkID)11086022 035 $a(PQKB)11283228 035 $a(MiAaPQ)EBC1568699 035 $a(OCoLC)867631069 035 $a(MdBmJHUP)muse32353 035 $a(DE-B1597)519850 035 $a(DE-B1597)9780520957947 035 $a(Au-PeEL)EBL1568699 035 $a(CaPaEBR)ebr10811127 035 $a(CaONFJC)MIL546816 035 $a(EXLCZ)992550000001165548 100 $a20130904h20142014 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 13$aAn invention without a future $eessays on cinema /$fJames Naremore 210 1$aBerkeley :$cUniversity of California Press,$d[2014] 210 4$d©2014 215 $a1 online resource (369 p.) 300 $aDescription based upon print version of record. 311 $a0-520-27973-5 311 $a1-306-15565-7 320 $aIncludes bibliographical references and index. 327 $aIntroduction: An invention without a future -- Part 1. Issues -- Authorship, auteurism, and cultural politics -- The reign of adaptation -- Notes on acting in cinema -- Imitation, eccentricity, and impersonation in movie acting -- The death and rebirth of rhetoric -- Part 2. Authors, actors, adaptations -- Hawks, Chandler, Bogart, Bacall: The big sleep -- Uptown folk: blackness and entertainment in Cabin in the sky -- Hitchcock and humor -- Hitchcock at the margins of noir -- Spies and lovers: North by Northwest -- Welles, Hollywood, and Heart of darkness -- Orson Welles and movie acting -- Welles and Kubrick: two forms of exile -- The treasure of the Sierra Madre -- The return of the dead -- Part 3. In defense of criticism -- James Agee -- Manny Farber -- Andrew Sarris -- Jonathan Rosenbaum -- Years as a critic: 2007-2010. 330 $aIn 1895, Louis Lumičre supposedly said that cinema is "an invention without a future." James Naremore uses this legendary remark as a starting point for a meditation on the so-called death of cinema in the digital age, and as a way of introducing a wide-ranging series of his essays on movies past and present. These essays include discussions of authorship, adaptation, and acting; commentaries on Howard Hawks, Alfred Hitchcock, Orson Welles, Vincente Minnelli, John Huston, and Stanley Kubrick; and reviews of more recent work by non-Hollywood directors Pedro Costa, Abbas Kiarostami, Raśl Ruiz, and Apichatpong Weerasethakul. Important themes recur: the relations between modernity, modernism, and postmodernism; the changing mediascape and death of older technologies; and the need for robust critical writing in an era when print journalism is waning and the humanities are devalued. The book concludes with essays on four major American film critics: James Agee, Manny Farber, Andrew Sarris, and Jonathan Rosenbaum. 606 $aMotion pictures 610 $aacting. 610 $aadaptation. 610 $aalfred hitchcock. 610 $aamerican cinema. 610 $aandrew sarris. 610 $aauthorship. 610 $acinema in the digital age. 610 $acinema. 610 $adeath of cinema. 610 $adigital age. 610 $afilm and television. 610 $afilm criticism. 610 $afilm. 610 $afilmmaking. 610 $ahistory of cinema. 610 $ahoward hawks. 610 $ahumanities. 610 $ajames agee. 610 $ajohn huston. 610 $ajonathan rosenbaum. 610 $aliterary studies. 610 $amanny farber. 610 $amediascape. 610 $amodernism. 610 $amodernity and film. 610 $amovies. 610 $aorson welles. 610 $apostmodernism and film. 610 $apostmodernity. 610 $aprint journalism. 610 $astanley kubrick. 610 $atechnology. 610 $avincente minnelli. 615 0$aMotion pictures. 676 $a791.43 700 $aNaremore$b James$0456838 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819551803321 996 $aAn invention without a future$94061619 997 $aUNINA