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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 04$aThe expert versus the object$b[electronic resource] $ejudging fakes and false attributions in the visual arts /$fedited by Ronald D. Spencer ; [foreward by Eugene Victor Thaw]
210   $aNew York $cOxford University Press$d2004
215   $a1 online resource (260 p.)
300   $aDescription based upon print version of record.
311   $a0-19-514735-9 
320   $aIncludes bibliographical references and index.
327   $aContents; Foreword; Introduction; Part I: Authentication and Connoisseurship; Part II: Authentication and the Law; Index
330   $aThe authenticity of visual art has always commanded the attention of experts, dealers, collectors, and the art-minded public. Is it ""real"" or ""original"" is a way of asking what am I buying? What do I own? What am I looking at? And today more sophisticated questions are being asked: How is authenticity determined and what weight does this determination have in court? This book of essays proposes to answer those questions. Three lines of inquiry are basic to determining authenticity: a connoisseur's evaluation, historical documentation or provenance, and scientific testing. A connoisseur is
606   $aArt$xForgeries
606   $aArt$xExpertising
606   $aLaw and art
608   $aElectronic books.
615  0$aArt$xForgeries.
615  0$aArt$xExpertising.
615  0$aLaw and art.
676   $a702/.8/7
701   $aSpencer$b Ronald D$0914693
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910450300703321
996   $aThe expert versus the object$92049948
997   $aUNINA