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101 0 $aeng
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181   $ctxt
182   $cc
183   $acr
200 10$aBoccherini's body$b[electronic resource] $ean essay in carnal musicology /$fElisabeth Le Guin
210   $aBerkeley $cUniversity of California Press$d2006
215   $a1 online resource (375 p.)
300   $aDescription based upon print version of record.
311 0 $a0-520-24017-0 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tList of figures --$tList of music examples --$tCD playlist --$tAcknowledgments --$tIntroduction --$tChapter 1. "Cello-and-Bow Thinking" --$tChapter 2. "As My Works Show Me to Be" --$tChapter 3. Gestures and Tableaux --$tChapter 4. Virtuosity, Virtuality, Virtue --$tChapter 5. A Melancholy Anatomy --$tChapter 6. "It Is All Cloth of the Same Piece" --$tChapter 7. The Perfect Listener --$tAppendix: Chronological Table of String Quartets --$tNotes --$tBibliography --$tIndex
330   $aIn this elegant study of the works of the undeservedly neglected composer Luigi Boccherini, Elisabeth Le Guin uses knowledge gleaned from her own playing of the cello as the keystone of her original approach to the relationship between music and embodiment. In analyzing the striking qualities of Boccherini's music-its virtuosity, repetitiveness, obsessively nuanced dynamics, delicate sonorities, and rich palette of melancholy affects-Le Guin develops a historicized critical method based on the embodied experience of the performer. In the process, she redefines the temperament of the musical Enlightenment as one characterized by urgent, volatile inquiries into the nature of the self. A CD of sound examples, performed by the author and her string quartet, is included with the book.
606   $aMusic$xInterpretation (Phrasing, dynamics, etc.)
608   $aElectronic books.
615  0$aMusic$xInterpretation (Phrasing, dynamics, etc.)
676   $a780/.92
700   $aLe Guin$b Elisabeth$f1957-$0792371
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910450216403321
996   $aBoccherini's body$91771788
997   $aUNINA