LEADER 03384oam 2200673I 450 001 9910450198703321 005 20200520144314.0 010 $a1-134-93447-5 010 $a1-134-93446-7 010 $a9786610442713 010 $a0-203-20001-2 024 7 $a10.4324/9780203200018 035 $a(CKB)1000000000247565 035 $a(EBL)169519 035 $a(OCoLC)646718084 035 $a(SSID)ssj0000081775 035 $a(PQKBManifestationID)11119161 035 $a(PQKBTitleCode)TC0000081775 035 $a(PQKBWorkID)10114096 035 $a(PQKB)10349011 035 $a(MiAaPQ)EBC169519 035 $a(PPN)230071325 035 $a(Au-PeEL)EBL169519 035 $a(CaPaEBR)ebr10060847 035 $a(CaONFJC)MIL44271 035 $a(EXLCZ)991000000000247565 100 $a20180331d1991 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aActresses as working women $etheir social identity in Victorian culture /$fTracy C. Davis 210 1$aLondon ;$aNew York :$cRoutledge,$d1991. 215 $a1 online resource (229 p.) 225 1 $aGender and performance 300 $aDescription based upon print version of record. 311 $a0-415-06353-1 311 $a0-415-05652-7 320 $aIncludes bibliographical references (p. 182-191) and index. 327 $aBook Cover; Title; Contents; List of figures and tables; List of illustrations; Acknowledgements; Introduction; THE SOCIOECONOMIC ORGANIZATION OF THE THEATRE; Family dynasties, recruitment, and career opportunities for women; The Profession's divisions of labour; Wages; SEX, GENDER, AND SOCIAL DEMOGRAPHY; The Female Surplus Question and the sex ratio; The female life; Professional welfare; THE SOCIAL DYNAMIC AND 'RESPECTABILITY'; Actresses' defiance of socioeconomic prescriptions; Actresses and prostitutes; Sexual harassment; The quintessential sexual terror; ACTRESSES AND THE MISE EN SCNE 327 $aCostuming the erotic topographyGesture: 'Every little movement has a meaning of its own'; Figural composition in the mise en scne; Erotic verification; THE GEOGRAPHY OF SEX IN SOCIETY AND THEATRE; The erotic neighbourhood outside the playhouse; Erotic zones within the playhouse; Forestalling the erotic; Notes; Bibliography; Index 330 $aUsing historical evidence as well as personal accounts, Tracy C. Davis examines the reality of conditions for `ordinary' actresses, their working environments, employment patterns and the reasons why acting continued to be such a popular, though insecure, profession. Firmly grounded in Marxist and feminist theory she looks at representations of women on stage, and the meanings associated with and generated by them. 410 0$aGender and performance. 606 $aTheater and society$zGreat Britain$xHistory$y19th century 606 $aWomen in the theater$zGreat Britain$xHistory$y19th century 606 $aActresses$zGreat Britain 608 $aElectronic books. 615 0$aTheater and society$xHistory 615 0$aWomen in the theater$xHistory 615 0$aActresses 676 $a306.4/84/082 700 $aDavis$b Tracy C.$f1960,$0942538 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910450198703321 996 $aActresses as working women$92126991 997 $aUNINA