LEADER 04114nam 2200625Ia 450 001 9910450185903321 005 20200520144314.0 010 $a1-281-86656-3 010 $a9786611866563 010 $a1-86094-591-0 035 $a(CKB)1000000000032764 035 $a(EBL)238321 035 $a(OCoLC)475947719 035 $a(SSID)ssj0000209762 035 $a(PQKBManifestationID)11171345 035 $a(PQKBTitleCode)TC0000209762 035 $a(PQKBWorkID)10266266 035 $a(PQKB)11767990 035 $a(MiAaPQ)EBC238321 035 $a(WSP)0000P295 035 $a(Au-PeEL)EBL238321 035 $a(CaPaEBR)ebr10088358 035 $a(CaONFJC)MIL186656 035 $a(EXLCZ)991000000000032764 100 $a20041020d2004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aNeurology of the arts$b[electronic resource] $epainting, music, literature /$feditor F. Clifford Rose 210 $aLondon $cImperial College Press$dc2004 215 $a1 online resource (453 p.) 300 $a"Proceedings of "Neurology of the Arts""--Pref. 311 $a1-86094-368-3 320 $aIncludes bibliographical references and index. 327 $aPreface; Mansell Bequest Symposia; List of Contributors; Contents; Introduction; 1. The Cerebral Localization of Creativity George K. York; 2. Neural Concept Formation and Art: Dante, Michelangelo, Wagner Semir Zeki; 3. The Neurology of Art: An Overview F. Clifford Rose; 4. Galen and the Artful Symmetry of the Brain Julius Rocca; 5. Leonardo da Vinci's Mechanical Art and the Origin of Modern Neurology David A. Steinberg; 6. The Art of Sir Charles Bell1 Christopher Gardner-Thorpe2; 7. Normal and Pathological Gait as Inspiration for the Artist Genevieve Aubert 327 $a8. Epilepsy in Pictorial Art Bernt A. Engelsen9. Brain Mapping in Musicians Michael E. Charness & Gottfried Schlaug; 10. The Cerebral Localisation of Musical Perception and Musical Memory H. Platel, F. Eustache & J.-C. Baron; 11. Musical Instruments as Metaphors in Brain Science: From Rene Descartes to John Hughlings Jackson C.U.M. Smith; 12. The Music of Madness: Franklin's Armonica and the Vulnerable Nervous System Stanley Finger & David A. Gallo; 13. The Mozart Effect John R. Hughes & John J. Fino; 14. The Amusias Jason Warren 327 $a15. Music and the Brain: A Musicologist's Viewpoint Paul Robertson16. The Convulsionary Samuel Johnson and the Miaowing of Mozart Milo Keynes; 17. The Influence of Shakespeare on Charcot's Neurological Teaching Christopher G. Goetz; 18. Epilepsy in Literature: Writers' Experiences and Their Reflection in Literary Works Peter Wolf; 19. The Aetiology of Dostoyevsky's Epilepsy Halfdan Kierulf; 20. Neurology and Sherlock Holmes E. Wayne Massey; 21. James Joyce in a Clinical Context J.B. Lyons; 22. Neurology in the Nordic Sagas Ragnar Stien 327 $a23. The Poetry of Henry Head1 Christopher Gardner-Thorpe224. Silas Marner, George Eliot and Catalepsy F. Clifford Rose; Index 330 $aThis book is the first attempt to provide a basis for the interactionof the brain and nervous system with painting, music andliterature. The introduction deals with the problems of creativity andwhich parts of the brain are involved. Then an overview of artpresents the multiple facets, such as anatomy, and the myths appearingin ancient descriptions of conditions such as polio and migraine. Theneurological basis of painters like Goya and van Gogh isanalysed. Other chapters in the section on art cover da Vinci'smechanics and the portrayal of epilepsy. The section on music concernsthe parts of th 606 $aMedicine and art$vCongresses 606 $aNeurology$vCongresses 608 $aElectronic books. 615 0$aMedicine and art 615 0$aNeurology 676 $a616.8 701 $aRose$b F. Clifford$g(Frank Clifford)$0897475 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450185903321 996 $aNeurology of the arts$92151623 997 $aUNINA