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010   $a9786612355066
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100   $a20000615d2001      ub             0
101 0 $aeng
135   $aur||#||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aWeimar surfaces$b[electronic resource] $eurban visual culture in 1920s Germany /$fJanet Ward
210   $aBerkeley $cUniversity of California Press$dc2001
215   $a1 online resource (376 p.)
225 1 $aWeimar and now ;$v27
300   $aDescription based upon print version of record.
311   $a0-520-22298-9 
311   $a0-520-22299-7 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tIllustrations --$tAcknowledgments --$tIntroduction: Modern Surface and Postmodern Simulation. A Retrospective Retrieval --$t1. Functionalist Façades: The Reformation of Weimar Architecture --$t2. Electric Stimulations: The Shock of the New Objectivity in Weimar Advertising --$t3. Into the Mouth of the Moloch: Weimar Surface Culture Goes to the Movies --$t4. The Display Window: Designs and Desires of Weimar Consumerism --$tAppendix: Selected Weimar Periodicals and Newspapers --$tNotes --$tIllustration Sources --$tIndex
330   $aGermany of the 1920's offers a stunning moment in modernity, a time when surface values first became determinants of taste, activity, and occupation: modernity was still modern, spectacle was still spectacular. Janet Ward's luminous study revisits Weimar Germany via the lens of metropolitan visual culture, analyzing the power that 1920's Germany holds for today's visual codes of consumerism.
410  0$aWeimar and now ;$v27.
606   $aArts, German$y20th century
606   $aModernism (Aesthetics)$zGermany
606   $aPopular culture$zGermany$xInfluence
607   $aGermany$xHistory$y1918-1933
608   $aElectronic books.
615  0$aArts, German
615  0$aModernism (Aesthetics)
615  0$aPopular culture$xInfluence.
676   $a306.4/7/094309042
700   $aWard$b Janet$f1963-$0991634
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910450155603321
996   $aWeimar surfaces$92489951
997   $aUNINA