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100   $a20180331d2004      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aEarly musical borrowing /$fedited by Honey Meconi
210  1$aNew York :$cRoutledge,$d2004.
215   $a1 online resource (200 p.)
225 1 $aCriticism and analysis of early music
300   $aDescription based upon print version of record.
311   $a1-138-96815-3 
311   $a0-8153-3521-0 
320   $aIncludes bibliographical references (p. 207-218) and index.
327   $aCultural context for the chanson mass / M.J. Bloxam -- Ockeghem and intertextuality : a composer interprets himself / M. Steib -- The illusion of allusion / J. Hodgson -- Interpreting and dating Josquin's Missa Hercules dux ferrariae / C. Reynolds -- Habsburg-Burgundian manuscripts, borrowed material, and the practice of naming / H. Meconi -- Aspects of musical borrowing in the polyphonic Missa de feria of the fifteenth and sixteenth centuries / A.H. Weaver -- Mid-sixteenth-century chanson masses : a kaleidoscopic process / C.A.  Elias -- Melodic citation in the sixteenth-century motet / M. Fromson.
330   $aThis collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music.
410  0$aCriticism and analysis of early music.
606   $aMusic$zEurope$y15th century$xHistory and criticism
606   $aMusic$zEurope$y16th century$xHistory and criticism
606   $aQuotation in music
608   $aElectronic books.
615  0$aMusic$xHistory and criticism.
615  0$aMusic$xHistory and criticism.
615  0$aQuotation in music.
676   $a780/.9/031
701   $aMeconi$b Honey$0979642
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906   $aBOOK
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996   $aEarly musical borrowing$92234148
997   $aUNINA