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101 0 $aeng
135   $aurnn#---|u||u
181   $ctxt
182   $cc
183   $acr
200 10$aMuseum movies$b[electronic resource] $ethe museum of modern art and the birth of art cinema /$fHaidee Wasson
210   $aBerkeley $cUniversity of California Press$d2005
215   $a1 online resource (331 p.)
300   $aDescription based upon print version of record.
311 0 $a0-520-24131-2 
311 0 $a0-520-22777-8 
320   $aIncludes bibliographical references and index.
327   $tFront matter --$tContents --$tIllustrations --$tAcknowledgments --$t1. Making Cinema A Modern Art --$t2. Mannered Cinema/ Mobile Theaters --$t3. The Mass Museology Of The Modern --$t4. An Awkward And Dangerous Task --$t5. Rearguard Exhibition --$t6. Enduring Legacies --$tAppendix: Film Programs Of The Museum Of Modern Art, 1934-1949 --$tNotes --$tBibliography --$tIndex
330   $aHaidee Wasson provides a rich cultural history of cinema's transformation from a passing amusement to an enduring art form by mapping the creation of the Film Library of the Museum of Modern Art (MoMA), New York, established in 1935. The first North American film archive and museum, the film library pioneered an expansive moving image network, comprising popular, abstract, animated, American, Canadian, and European films. More than a repository, MoMA circulated these films nationally and internationally, connecting the modern art museum to universities, libraries, women's clubs, unions, archives, and department stores. Under the aegis of the museum, cinema also changed. Like books, paintings, and photographs, films became discrete objects, integral to thinking about art, history, and the politics of modern life.
606   $aMotion pictures$xPreservation$zUnited States
606   $aMotion pictures$zUnited States$xHistory
608   $aElectronic books.
615  0$aMotion pictures$xPreservation
615  0$aMotion pictures$xHistory.
676   $a026/.79143/097471
700   $aWasson$b Haidee$f1970-$01006254
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910450078103321
996   $aMuseum movies$92315298
997   $aUNINA