LEADER 03520oam 2200685I 450 001 9910450047403321 005 20200520144314.0 010 $a1-134-80938-7 010 $a1-280-46316-3 010 $a0-203-13204-1 010 $a9786610463169 024 7 $a10.4324/9780203132043 035 $a(CKB)1000000000000986 035 $a(StDuBDS)AH3702330 035 $a(SSID)ssj0000112774 035 $a(PQKBManifestationID)11129000 035 $a(PQKBTitleCode)TC0000112774 035 $a(PQKBWorkID)10097509 035 $a(PQKB)11454914 035 $a(MiAaPQ)EBC165651 035 $a(Au-PeEL)EBL165651 035 $a(CaPaEBR)ebr10017576 035 $a(CaONFJC)MIL46316 035 $a(OCoLC)70207345 035 $a(EXLCZ)991000000000000986 100 $a20180331d1997 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Black culture industry /$fEllis Cashmore 210 1$aLondon ;$aNew York :$cRoutledge,$d1997. 215 $a1 online resource (iv, 203p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-415-12082-9 311 $a0-415-12083-7 320 $aIncludes bibliographical references (p. 182-186) and index. 327 $achapter 1 Crack in the Wall -- chapter 2 Once Pain and Hunger Have Been Removed -- chapter 3 Irony to Some, Theft to Others -- chapter 4 White Boss in a Black Industry -- chapter 5 Armed to the Teeth -- chapter 6 Furthest from the Money -- chapter 7 Back to the Holy Waters -- chapter 8 Rejecting It, Living Up To It -- chapter 9 Infant Icon -- chapter 10 Your Name Is -- chapter 11 Brothers and Others -- chapter 12 America's Paradox. 330 $aThis insightful study of the relationship between black culture, wealth, & race relations in the U.S. allows the reader to understand the nature & evolution of race relations in the U.S., and how culture & art can be utilized by wealthy interests. 330 $bCashmore's controversial study argues that black culture has been converted into a commodity, usually in the interests of white owned corporations. Using detailed studies of the marketing of Motown, Michael Jackson and the Artist Formerly Known as Prince, Cashmore suggests that inflating the significance of this commodified 'black culture' may actually be counter-productive in the struggle for racial justice. Cashmore's controversial study argues that black culture has been converted into a commodity, usually in the interests of white owned corporations. Using detailed studies of the marketing of Motown, Michael Jackson and the Artist Formerly Known as Prince, Cashmore suggests that inflating the significance of this commodified 'black culture' may actually be counter-productive in the struggle for racial justice. 606 $aAfrican Americans$xRace identity 606 $aRacism$zUnited States$xHistory$y20th century 606 $aAfrican American arts 606 $aAfrican Americans in mass media 607 $aUnited States$xRace relations 608 $aElectronic books. 615 0$aAfrican Americans$xRace identity. 615 0$aRacism$xHistory 615 0$aAfrican American arts. 615 0$aAfrican Americans in mass media. 676 $a305.896/073 700 $aCashmore$b Ernest.$0855401 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450047403321 996 $aThe Black culture industry$91909663 997 $aUNINA