LEADER 04013nam 22007332 450 001 9910450023103321 005 20151005020622.0 010 $a1-107-11581-7 010 $a1-280-15353-9 010 $a0-511-11712-4 010 $a0-511-04018-0 010 $a0-511-14979-4 010 $a0-511-48318-X 010 $a0-511-32454-5 010 $a0-511-05118-2 035 $a(CKB)1000000000005281 035 $a(EBL)202273 035 $a(OCoLC)475917380 035 $a(SSID)ssj0000258063 035 $a(PQKBManifestationID)11204407 035 $a(PQKBTitleCode)TC0000258063 035 $a(PQKBWorkID)10271946 035 $a(PQKB)10781409 035 $a(UkCbUP)CR9780511483189 035 $a(MiAaPQ)EBC202273 035 $a(Au-PeEL)EBL202273 035 $a(CaPaEBR)ebr10014607 035 $a(CaONFJC)MIL15353 035 $a(EXLCZ)991000000000005281 100 $a20090224d1999|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTheorizing the avant-garde $emodernism, expressionism, and the problem of postmodernity /$fRichard Murphy$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d1999. 215 $a1 online resource (viii, 325 pages) $cdigital, PDF file(s) 225 1 $aLiterature, culture, theory ;$v32 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-64869-6 311 $a0-521-63291-9 320 $aIncludes bibliographical references (p. 300-313) and index. 327 $aTheories of the avant-garde -- Re-writing the discursive world: revolution and the expressionist avant-garde -- Counter-discourses of the avant-garde: Jameson, Bakhtin and the problem of realism -- The poetics of hysteria: expressionist drama and the melodramatic imagination -- Kafka's photograph of the imaginary. Dialogical interplay between realism and the fantastic. (The metamorphosis) -- Weimar silent film and expressionism: representational instability and oppositional discourse in The cabinet of Dr. Caligari -- Conclusion. Postmodernism and the avant-garde. 330 $aIn Modernism, Expressionism and Theories of the Avant Garde, Richard Murphy mobilises theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the avant-garde in Lukacs and Bloch, especially their discussion of aesthetic autonomy, and investigates the relationship between art and politics via a discussion of Marcuse, Adorno and Benjamin. Combining close textual readings of a wide range of films as well as works of literature, it draws on a rich array of critical theories, such as those of Bakhtin, Todorov, MacCabe, Belsey and Raymond Williams. This interdisciplinary project will appeal to all those interested in modernist and avant-garde movements of the early twentieth century, and provides a critical rethinking of the present-day controversy regarding postmodernity. 410 0$aLiterature, culture, theory ;$v32. 606 $aLiterature, Modern$y20th century$xHistory and criticism$xTheory, etc 606 $aAvant-garde (Aesthetics) 606 $aModernism (Literature) 606 $aExpressionism in literature 606 $aPostmodernism (Literature) 615 0$aLiterature, Modern$xHistory and criticism$xTheory, etc. 615 0$aAvant-garde (Aesthetics) 615 0$aModernism (Literature) 615 0$aExpressionism in literature. 615 0$aPostmodernism (Literature) 676 $a809/.911 700 $aMurphy$b Richard$g(Richard John),$0394467 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910450023103321 996 $aTheorizing the avant-garde$92477607 997 $aUNINA