LEADER 04058nam 2200589 a 450 001 9910450010503321 005 20200520144314.0 010 $a0-8047-8016-1 024 7 $a10.1515/9780804780162 035 $a(CKB)1000000000006799 035 $a(OCoLC)50119844 035 $a(CaPaEBR)ebrary2001222 035 $a(SSID)ssj0000283605 035 $a(PQKBManifestationID)11213361 035 $a(PQKBTitleCode)TC0000283605 035 $a(PQKBWorkID)10247581 035 $a(PQKB)10578647 035 $a(MiAaPQ)EBC3037366 035 $a(Au-PeEL)EBL3037366 035 $a(CaPaEBR)ebr2001222 035 $a(OCoLC)923699422 035 $a(DE-B1597)581480 035 $a(DE-B1597)9780804780162 035 $a(EXLCZ)991000000000006799 100 $a19960809d1997 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRendering French realism$b[electronic resource] /$fLawrence R. Schehr 210 $aStanford, Calif. $cStanford University Press$d1997 215 $a1 online resource (280 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8047-2787-2 320 $aIncludes bibliographical references (p. [255]-263) and index. 327 $tFrontmatter -- $tAcknowledgments -- $tContents -- $tI. Introduction: De te textus -- $t2. Stendhal's Inventions -- $t3. Balzac's Improprieties -- $t4. Romantic Interruptions -- $t5. At Home with -- $tNotes -- $tBibliography -- $tIndex 330 $aRealist novels are usually seen as verisimilar representations of the world, and even when that verisimilitude is critically examined (as it has been by Marxist and feminist critics), the criticism has referred to extra-literary matters, such as bourgeois ideology or defects in the portrayal of women. This book takes as its thesis that the point defining realism is the point at which the processes of representation break down, a sort of black hole of textuality, a rent in the tissue. The author argues that our notions of continuity, of readability, of representability, or our ideas about unity and ideological shift?or even our notions of what is hidden, occulted, or absent?all come from the nineteenth-century realist model itself. Instead of assuming representability, the author argues that we should look at places where the texts do not continue the representationalist model, where there is a sudden falling off, an abyss. Instead of seeing that point as a shortcoming, the author argues that it is equal to the mimetic successes of representation. After an initial chapter dealing with the limits and ruptures of textuality, the book considers the work of Stendhal, from its early state as a precursor to the later realism to La Chartreuse de Parme, which shows how the act of communication for Stendhal is always made of silences, gaps, and interruptions. The author then reads several works of Balzac, showing how he, while setting up the praxes of continuity on which his oeuvre depends, ruptures the works at various strategic points. In a chapter entitled "Romantic Interruptions," works of Nerval and the younger Dumas, seemingly unrelated to the realist project, are shown to be marked by the ideological, representational, and semiotic assumptions that produced Balzac. The book concludes with Flaubert, looking both at how Flaubert incessantly makes things "unfit" and how critics, even the most perspicacious postmodern ones, often try to smooth over the permanent crisis of rupture that is the sign of Flaubert's writing. 606 $aFrench fiction$y19th century$xHistory and criticism 606 $aRealism in literature 608 $aElectronic books. 615 0$aFrench fiction$xHistory and criticism. 615 0$aRealism in literature. 676 $a843/.70912 700 $aSchehr$b Lawrence R$0927027 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450010503321 996 $aRendering French realism$92082678 997 $aUNINA LEADER 01041cam0 22002771 450 001 SOBE00016193 005 20220325111136.0 100 $a20110708d1988 |||||ita|0103 ba 101 $ager 102 $aDE 200 1 $aÜber Gegenstandstheorie$eSelbstdarstellung$fAlexius Meinong$gmit Einleitung, Bibliographie und Registern herausgegeben von Josef M. Werle 210 $aHamburg$cMeiner$d1988 215 $aXXXVI, 138 p.$d19 cm 225 2 $aPhilosophische Bibliothek$v361 410 1$1001LAEC00016501$12001 $a*Philosophische Bibliothek$v361 700 1$aMeinong$b, Alexius$3SOBA00000373$4070$0319704 702 1$aWerle, Josef M.$3A600200059125$4070 801 0$aIT$bUNISOB$c20220325$gRICA 850 $aUNISOB 852 $aUNISOB$j100|Coll|31|K$m83727 912 $aSOBE00016193 940 $aM 102 Monografia moderna SBN 941 $aM 957 $a100|Coll|31|K$b000105$gSI$d83727$racquisto$tN$1rovito$2UNISOB$3UNISOB$420110708103157.0$520220325111136.0$6Alfano 996 $aÜber Gegenstandstheorie$91131844 997 $aUNISOB LEADER 01307nam0 22003011i 450 001 UON00330030 005 20231205104216.870 100 $a20090904d1957 |0itac50 ba 101 $afre 102 $aFR 105 $a|||| 1|||| 200 1 $aˆL' ‰invention et l'écriture dans La Torpille d'Honoré de Balzac$fJean Pommier$gAvec le texte inédit du manuscrit original 210 $aGenève$cDroz ; Paris$cMinard$d1957 215 $a248 p.$d25 cm. 410 1$1001UON00177393$12001 $aSociété de Publications romanes et françaises$1210 $aGènève$cDroz.$v60 606 $aBALZAC HONORÉ DE$3UONC038346$2FI 620 $aFR$dParis$3UONL002984 620 $aCH$dGenève$3UONL003003 676 $a840.7$cLetteratura francese. 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