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100   $a20180331d1993      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aArchitecture, actor, and audience /$fIain Mackintosh
210  1$aLondon ;$aNew York :$cRoutledge,$d1993.
215   $a1 online resource (192 p.)
225 1 $aTheatre concepts
300   $aDescription based upon print version of record.
311   $a0-203-37577-7 
311   $a0-415-03183-4 
320   $aIncludes bibliographical references (p. [174]-175) and index.
327   $aBook Cover; Title; Contents; List of illustrations; Introduction; Continuity of character?; The innovation of scenic illusion; The purifiers of the modern movement; Critics and analysts; Film and television; Historic theatres and found space; Directors and designers; Architects, engineers and the multi-purpose; Committees, consultants and flexibility; Actors and audiences; Opera and dance; Unfolding a mystery; Select bibliography; Apologia and acknowledgements; Index
330   $aUnderstanding the theatre space on both the practical and theoretical level is becoming increasingly important to people working in drama, in whatever capacity. Theatre architecture is one of the most vital ingredients of the theatrical experience and one of the least discussed or understood. In Architecture, Actor and Audience Mackintosh explores the contribution the design of a theatre can make to the theatrical experience, and examines the failings of many modern theatres which despite vigorous defence from the architectural establishment remain unpopular with both audiences an
410  0$aTheatre concepts.
606   $aTheater architecture$xPsychological aspects
606   $aTheater audiences
608   $aElectronic books.
615  0$aTheater architecture$xPsychological aspects.
615  0$aTheater audiences.
676   $a725.822019
676   $a725/.822/019
700   $aMackintosh$b Iain.$038890
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910450004203321
996   $aArchitecture, actor, and audience$92230513
997   $aUNINA